Laos – the new Thailand. PORTRAIT & CULTURE PHOTOGRAPHY

Portrait/culture photography with the G9 and GH5

I recently went out to Laos on my first assignment as an ambassador for Panasonic to solo shoot a short film about the unbreakable bond between an 80-year-old mahout and matriarch elephant. Alongside the videography I took stills of the people, places and culture around this most beautiful and mysterious of countries – one that is so often overlooked in between it’s more popular cousins; Thailand, Cambodia and Vietnam. I can’t recommend visiting this ethereal and magical slice of Indo-Asia; it’s one of the few remaining Asian countries that can offer you a genuine experience of the culture without hoards of tourists. You can have precious moments to reflect without running into paparazzi or drunken party goers (yes, even in Vang Vieng!) So if you’re keen to learn about Laos and what you can photograph/do in the city and villages – look no further!

Humans – such a complex and fascinating species, and perhaps of all the animals that roam our vast planet. Over 7000 different languages spread over 7 vast continents, all 7.4 billion of us are as unique and beautiful as the atoms that make up our universe.

Without getting too deep and sounding rather philosophical, I am of course referring to the very nature that defines us as human – our intelligence, our curiosity, and our emotional capacity. These qualities are the very essence of humanity and is something we can all relate to – across all boundaries regardless of cultural, language and political differences.

Faces are incredibly expressive for a reason. There are 43 muscles in the face, most of which are controlled by the seventh cranial nerve (also known as the facial nerve). This nerve exits the cerebral cortex and emerges from your skull just in front of your ears. It then splits into five primary branches: temporal, zygomatic, buccal, mandibular and cervical. These branches reach different areas of the face and enervate muscles that allow the face to twist and contort into a variety of expressions. This is something I really love to capture when photographing people, I am inherently wildlife photographer but have been keen to explore what makes us as supremely evolved animals tick.

It can be trickier to photograph that moment in time where your person makes the smallest of expressions – which makes the challenge all the more enjoyable. In film you can shoot off speed and capture this more easily, I always shoot 50/60fps for people to highlight their subtle emotions rather than 75/120, the latter would only be in situations where my character is moving incredibly fast or for a special effect (usually in sports where you can go up to 2000fps). Again the eyes always draw me in because they are among the very first features we notice when passing by or meeting another fellow individual – so much can be read emotionally by looking into them. I mention looking into them – never at them, because this cuts you off from the persons true essence. I believe that a lot of portrait photography is about building trust, even if for a brief moment passing by, and ALWAYS ask for their permission!

So first a little history lesson; and yes I’ll make it a quick one I promise. It is of course the summer season! But you’ll want to know what you can do with that amazing camera that you got for your holidays, right? 😉

Despite it being one of the poorest countries in South – East Asia, one of the things you notice, is that nobody dies of hunger. This landlocked country is known as the ‘fruit/vegetable basket of Asia,’ and most families manage, not only to meet their needs, but even to put an important part of their small earnings to one side so as to participate in what small futile pleasures that make life enjoyable. Laos is a country of smiles, where composure and serenity reign and from where a sort of karma and an invigorating energy exude – from your local flower lady to the monks praying for our happiness. Laotians say that this special karma, was born with Laos, many centuries ago.

The Lao people (Hmong, Hill tribe, monks, Buddhism). With nearly 5 million inhabitants on an area half the size of France, Laos is one of the least populated countries in S.E. Asia (17 inhabitants per km2). Laos counts about 80 ethnical groups which can be grouped into 4 families. Each group speaking its own dialect and having its own customs, traditions, religion, etc.

Laotians have an easy-going, smiley and amiable character; and quite Latin (I’m half Spanish so just saying!) in that they generally prefer to take their time, the same as in their way of life, savouring each moment not overthinking or worrying about the future, unlike the hustle and bustle of other mega Asian countries or indeed our own. This is one of the things that decidedly give this country its exceptional charm, completely the opposite to the Vietnamese or even Thai restlessness – which is partly why I wanted to visit this staggeringly beautiful country. It’s so often overlooked for it’s more famous surrounding countries.

Whilst the Laotians primarily practice Bhuddism, Hmong people are traditionally animist, worshipping the spirits of their ancestors and the surrounding environment. Shamans (Ouanung) are called upon to communicate with the spirits, seeking their advice in moments of ill health and village adversity. It tends to be that a spirit is upset and offerings such as livestock are made at the spirit’s request. Most Hmong wear amulets around the wrist or neck to ward off bad spirits – and you can buy their amazing jewellery and hand crafted artisan gifts in the night market..

Every house has an ancestor spirit altar where food and water is placed to please them. During Hmong new year white paper is put on the columns of the house and a chicken is killed in their honour; and there were certainly plenty of them going around (waking me up at 3am every morning!)

Monks – it is estimated that about 1 in 3 male Laotians join a monastery for at least some period of their lives, ranging from a few months or years to an entire lifetime. Most novices enter monastic life at an early age, learning the ancient chants and sutras, while also attending a regular school with a curriculum similar to that followed by most young students around the world. For many children in rural areas of Laos, joining a monastery is the only available option for education. Life in the monasteries can be tough and some novices from remote communities are only able to visit their families once or twice a year. The young monks follow a strict daily routine, living communally, sharing food and daily chores.

 

Camera: G9

The low down on the G9 before we get technical; this camera packs a powerful punch in terms of features. From the 4K, 60P, 4:2:2 GH5 goodness that was released late last year (I’ve been shooting with since February 2017), came the photographic brother that boasts:

 

• No Optical low-pass (anti-aliasing) filter
• 20MP micro four thirds sensor
• ISO sensitivity from 200-25600.
• 5-axis Sensor-shift Image Stabilization
• 3″ Fully Articulated Screen
• 3680k dot Electronic viewfinder
• 20.0 fps continuous shooting
• Built-in Wireless
• 658g. 137 x 97 x 92 mm
• Weather Sealed Body
• 6.5-stop built-in image stabilization system
• 4K UHD recording in 24/25/30/50/60p.
• Full HD recording in 25/30/50/60p.
• Long GOP compression.
• 4K UHD 3840 x 2160 video resolution high-speed video recording up to 60fps.
• Full HD high-speed video recording up to 180fps
• CINELIKE D and CINELIKE V photo styles.
• Depth from Defocus AF.
• Mini jack input for an external microphone.

 

The Lumix G9 gets the same 20.3MP Micro Four Thirds Live MOS sensor as the Lumix GH5, which means that, as on that camera, there’s no low-pass filter. And if 20.3MP isn’t quite enough resolution for you, the G9 also features a new High Resolution mode, which outputs files at the magnificent equivalent 80MP. This works by combining eight images that have been taken in rapid succession, with small sensor shifts between each one, which means that, unlike with some rival systems, a tripod is a must when using this mode. Whilst I don’t use this mode because of storage  (the 20MP images are amazing enough as they are!) it’s a nice little feature to show off with. In timelapse mode you can go all out with this and pan/crop as far in as you want. The auto focus is ridiculously fast, even a cheetah couldn’t outrun this little baby feature and it’s one of the quickest on the market.

The double SD card slot means you can shoot jpegs on one card and RAW on the other which is quite handy when you decide if you want to keep the JEPEGs or vice versa.

Ergonomically I love this camera – the buttons sit right where you fingers rest where with the tip your finger you can zoom in before pressing the shutter button (a specialism of this model for telephoto users – hence why this is geared towards wildlife photographers). Also I’ve put this through its paces in the humidity when hiking to caves and through the leech, tick infected jungles (!) and of course the (light) rain – and it handled this well. On a more recent trip it handled the freezing constant rain too, was really impressed by its rigidly. 

There are of course video recording features like the GH5 but please bear in mind that this is not a video camera like its brother. So it has much less features but can still record both HD and 4K resolutions in MP4 format, 4:2:0 colour sampling and 8-bit colour depth, lacking the internal 10-bit capabilities of the GH5 so your video is noticeably more compressed. However, it is possible to record 8-bit 4:2:2 in 4K 30p via an external recording device, I’ve always got my trusty Atomos Ninja Inferno to do the job.

The responsiveness of the camera was perhaps the standout feature for my day with the G9. After over 2,000 photographs the battery was still going strong and the results were strong in almost every case when shooting a timelapse – so this certainly bodes well with wildlife photographers. All in all it’s a great stills camera more than a video one (go for the GH5 or its newer sibling the GH5s) – you should give it a go!

And now for a little more technical details with examples from my travels, each with a key theme to help you decide what and how to shoot on your next project.

 

Key factors to think about:

1. The light – I can’t begin to describe the beauty of this country in terms of light – it is ever changing and so incredibly awe inspiring words can’t do it justice. Play with it. Follow it. Bask in it.… use it as the ultimate tool to create images that capture the nature of your subject – human, animal and/or landscape. ALWAYS shoot in MANUAL for such images, as well as in RAW so you can also have as much fun in lightroom and Photoshop (just kidding it’s more fun actually being there…). Remember to adjust your variable ND if you’ve got one on.

2. Movement – we are by nature very mobile, with our physical movements to the way in which we live our lives in chaotic urban settings or indeed nomadic lifestyles in the countryside. Capturing that sense of movement is fun when you use different techniques – so here I wanted to shoot a timelapse at one of the many famous night markets in Luang Prabang to highlight this. Using the 3 axis shark slider mini you can programme the movement with the easy to use app – video of that up soon!

 

Shade – this helps with your tone and mood. A lot of black and white stills photographers will focus on the varying light and shade to get their feelings and message across – fear, love, joy, happiness, sadness, admiration, hatred, hunger, elation…. removing colour makes you think of how to tell your narrative in far more sensitive ways in a way similar to producers of B&W movies back in the 60’s would have directed their shots. Patience when using natural light to frame your subject is KEY!

Playfulness – this is one of the defining characteristics that makes us intelligent mammals. It is seen across the animal kingdom, from dogs, to horses, tiger cubs to humpback whales – and again is a universal motion that transcends boundaries (or species). I feel that as a photographer you certainly have an influence in bringing about this feature – although children are the easiest to capture with this emotion; as they are devoid of the adult tendencies to judge, criticise and generally be more grumpy!

Textures – peoples skin, their hair, their clothes say a lot about them as individuals. I don’t mean in a vain sense but you can gather a rich array of information about them as characters or background what they get up to and how they hold themselves. The culture in Laos as mentioned above is so incredibly rich and vibrant – it hits you with it’s sharp saturated colours, like those of a bold acrylic painting. I often think England  is the complete opposite, and draped in a sweet, soft glow and the light painting it in equally soft water colours. The food, dresses, festivals streets and of course magical temple offer this in glorified abundance. When first arriving in the Capital, Vientiane, my senses were overwhelmed by such a variety of colour, shade and patterns – all of which are a joy to capture.

The remnant French archways and colonial architecture among the hotels and homes, the soft, large shapes of the many fruits adorning the markets and of course the magnificent sharp, elaborate temples – of which the country has over 100’s. I was very excited indeed to go on my very first ‘temple run!’ Such exquisite colour – would be nice to see such comparably colour in our own churches and places of prayer. In this particular temple, one of the largest and most superlative in the city, I used the 12-60mm 4.6 lens with a 46mm Gobe variable ND filter. It was a bright, sunny day, and whilst I would have liked to capture it during the golden hours, I felt that it wouldn’t do it’s full colour spectrum justice. I also used the Panasonic 100-400mm lens for some closer details of the statues and patterns adorning the holy site.

Monks are of course a central part of the religion and culture in Laos, and something that I was especially eager to photograph. Again the bright, bold colours highlights the amiable and fun personalities of the locals, whilst the actual reason for their colour choice lies in ……. At first I’ll admit I was rather shy and reclusive at photographing them out of courtesy and etiquette – but then you quickly realise that all it takes is a smile and polite gesture to your camera to ask their permission… and 9/10 times you’ll find they are more than willing to have their photo taken. This one was taken at the same temple as above.

Here I was rather lucky to see a group of young monks walking along the mighty Mekong riverside front as I went out the first day to explore – the light was perfectly aligned with one of the tallest of the (collective noun for monks?) group. I moved myself into position from the opposite side of the road and so that I could frame the rather beautiful verdant green parasol against them as they paraded along. Again this was with the 12-60mm and I did use photoshop to tweak the highlights – but I can promise you that the colours were just as vibrant and enchanting.

 

Emotion 

I think this particular title is highlighted in all of the above mentioned – as texture, colour, shade all feed into our emotions and how we react to each image or film clip. It’s one of the most basic principals in cinematography and where the Director of Photography will work closely with the director to create a specific look and/or feel to the film. Photography also uses this principal and of course a lot of it can be touched up and edited in software later. This is quite often where all the magic happens (sorry to burst any bubbles – but I’m guessing many of you reading this are well aware of this!)

Washer woman cleaning off her dinner – people look so incredibly timeless in Laos, I could never tell how old she was.

So a handy little anagram for what to look out for when photographing people include:

H- humour: So this can work both ways. They can be (and this is most of the case!) laughing at you and find your odd demeanour and camera geekiness quite entertaining; don’t wait for the moment to pass – snap away and capture the moment!

U- unique: What’s unique about your subject (person)? Have they a standout feature, eye colour, beautiful smile, scar, long/short/frizzy/straight hair? Whatever is distinctive about your person, make sure to celebrate an honour it by making this one of your focal points of the image. It’s what makes us all special.

M – movement: Just slow down that shutter speed and experiment with your person, especially if they’re moving. Adding a little motion blur to your image can bring it to life and give you a whole different angle to play with.

A – activity: What does your subject do? Are they dancers? Crafts people? Artists? Scientists? Whatever it is they do, try to photograph them in their element doing what they do best – not only will this make them more comfortable, but you will certainly make the image more genuine and interesting to the viewer.

N – ature: Try to capture and set your human in their environment, their natural habitat that represents them. I really can’t emphasize this enough, a single image of a person in whatever comes naturally to them is key to capturing their essence.

My encounter with the people of Laos has been a magical one at that – their resourcefulness, peace and positivity reflects the equally majestic landscape where they are able to sustain and feed their families – securing a better future for all. Family is certainly a huge part of this country, and everyone plays their part in taking care of each other – with young girls cooking, cleaning and taking care of elderly relatives – with the men earning a living in the farms and wives working like wonder women in the rice paddy fields. For me the most surprising thing was seeing how happy they were compared to another poor country I recently visited, Kenya. I can now see and understand this to be partly due to the abundance of food which is far more readily available than it is in Africa. But also the spiritual belief and conviction they have that their Buddha/deity/spirit guide will help them live a prosperous life in the here and now – as well as the next should the reincarnation cycle not be broken…

Until the next post – all about the wildlife in Laos!

 

 

Interview with Digital FilmMaker Magazine

I was recently interviewed for one of my favourite magazines – Digital FilmMaker! Here is the original with some of my photos from my ‘A Lion’s Tale’ shoot in Kenya; exactly a year ago. Hope you enjoy it and feel inspired to do your own!

1. Why will this project be of interest to readers of Digital FilmMaker?

Hopefully this will be of interest to anyone wanting to shoot their first short film and have only just begun to delve into this creative, thrilling world of visual storytelling. Also, that it is indeed possible to do on a very small budget, whilst travelling to amazing places in the process! Natural history differs to drama in that you cannot predict what the wildlife ‘characters’ will do; or control a great deal of external environmental factors. However, with careful planning and preparation during the pre-production stage; it is possible to make an emotive and personal human-wildlife story that resonates with your target audience.

2. What had you done project wise in the lead up to this?

This was one of the first and biggest project that I was completely involved in. I studied Zoology during my undergraduate years and played around with cameras in different university societies; but nothing on this scale. I lived in southern Spain all my life before moving to the UK to study as an 18-year old, and upon graduating I then came to Bristol to pursue an MA in Wildlife Filmmaking at the University of West England. I’ve known for a long time that I wanted to get into filmmaking (since I was 12), growing up watching David Attenborough and living in the countryside greatly inspired me. However, there was no academic support in Spain for me to progress in this field, and so dreamed of getting into camerawork and research at the BBC Natural History Unit in Bristol; where a staggering 40% of the world’s wildlife documentaries are made. The Master’s course certainly helped me achieve this, and part of the MA involved making our own film, drawing upon all the skills we learned alongside it. Whilst my academic background was scientific, I had always loved being creative as a child; storyboarding, drawing and writing took me to the far-flung exotic and biodiverse places I saw on our television.

Where I grew up in Southern Spain – the light and birdlife greatly inspired me.

Watching producers and cameramen/women filming behind the scenes sparked my interest; combining the best of both science and art worlds. Then when I was 13 my father bought me my first DSLR, and could finally capture the Bee-eater birds and Short-toed eagles that were always tantalizingly out of reach. Armed with my telephoto lens, I wanted to share my passion with others but knew that being self-taught wouldn’t be enough to cut it in this competitive industry.

I therefore had a lot of catching up to do at University; joining the Leeds Student Radio societies, television and photography clubs so that I could begin to create a portfolio and apply for the MA. This included a conservation YouTube Channel about local biodiversity, and two radio programs that I produced; Weekly Wildlife Watch and the Travel Talk Show. Whilst radio and LSTV taught me how to write, shoot and focus on story; PhotoSoc helped me to compose and learn about the fundamental principles of photography.

3. Who has done what on the film?

As part of the MA requirement, I saw the entire project throughout each of the processes – from the initial idea as a researcher, producer/director, camerawoman, sound, editor, SFX/mixer, grader and now social media manager promoting the content online. It was certainly challenging juggling the different roles, but I loved learning and trying out a variety of methods, techniques and styles from both the drama and natural history world. Learning through mistakes is certainly the best way forward in all walks of life, and by having total creative and editorial control I feel I’ve made something close to my childhood memory and dream. It certainly has been an extraordinary experience that I will remember forever.

4. And how did that utilise your individual skills?

With my camerawork, I attempted to adapt different styles of shooting as well as techniques to create a visual story that would suite a film festival audience. Such immersive filmmaking techniques include those seen on various BBC series capture the animal’s perspective to add an emotional level to the story, leading to a more powerful, captivating documentary. I attempted to capture privileged views of the lion in its environment, and learned a great deal about how different documentaries are made by analyzing the shots in different sequences.

I shot in high speed in attempt to create a sense of drama for the first and last sequence of A Lion’s Tale, as well as with the use of extreme close ups (in particular the ranger patrol) for an immersive feel. The storyboarding of key sequences proved to be invaluable during the shoot, as it allowed me to focus on what I wanted to achieve in terms of framing, direction, action, speed.

Early morning starts – shooting high speed with the FS700 and Canon 100-400mm.

Equally, I took the camera off the tripod and onto a small inexpensive rig to allow for camera movement – and emphasizes the feeling and mood for a scene. The use of jibs, cranes and float cams are increasingly being used in natural history to create dynamic movement and a parallax between the scenes as seen in drama. The development of gimbals has now made this possible, although I had to resort to a very crude version of one in the end – my arms!

5. So what’s the film about?

The Born Free story began with lions, and now 50 years later since the original film, A Lion’s Tale looks at the legacy that actress turn conservationist Virginia McKenna has left and the conflicts that lions and all wildlife face in Kenya. Set in the original heartland of the true father of lions, we journey to Meru National Park to see the Born Free team and Kenya wildlife service rangers on the front line of conflict and education. The world’s largest ivory burn is about to take place, as a symbol of Kenya’s determination to help all wildlife and stop the illegal trade. Will the next generation take up the challenge? Is there hope?

This film reveals how Kenya’s new generation of conservationists is looking out for all wildlife, including the elephants, which is witnessed at the world’s largest ivory burn event – a symbol of stopping all wildlife trade and helping humans and nature co-exist. Gaining access to this historical event was one of the greatest challenges and provided me with the opportunity to capture a unique moment in time. It has quickly been adopted in the media with several feature films and documentaries have highlighted the event (The Ivory Game, Hugh’s Ivory War). It was a truly unforgettable experience, which I self-shot and have now begun to edit into a separate film alongside this production. Filming beside my heroes, both in the conservation and camera world was one of the highlights of the shoot. The worlds press and filmmakers were gathered to document it, and it was truly a sobering sight to see the 150 tons of ivory go up in flames.

6. Who wrote it and what inspired that?

The story of A Lion’s Tale began with my passion for lions and chance meeting with leading ape conservationist Ian Redmond.

This love of Africa and felines started during my childhood, when I was encapsulated by the true story of George and Joy Adamson. For me, the purpose of making A Lion’s Tale was to emotionally engage and raise awareness – focusing on one of the major issues not only concerning lions, but all wildlife in Kenya. The original Born Free story captured the emotions of millions during its release in 1956, a time when our relationship with the natural world and ‘wild’ animals was viewed negatively.

And so, whilst a large conservation movement was seemingly triggered with the momentum of a single film, it was the emotive driving force behind the true story about the real Adamson’s who released an orphaned lioness into the wild that led to actress Virginia McKenna to change her entire career and life plan – from actress to activist. I also felt it timely to produce with the upcoming ivory burn and Convention on the International Trade on Endangered Species meetings in Johannesburg. I didn’t want to write a set script; and by using the characters’ voices in the film I hope this has allowed audiences to connect with and care about the cause – not be lectured on it. The major theme of the film is hope – an emotion that all humans can relate to and a message that I believe everyone involved in the filmmaking and conservation industry can use as a device to inspire and drive change.

7. And who produced it and pulled the project together?

I was the producer of the project and responsible for all the script-writing, scheduling, budgeting, interviewing, shooting, etc. which did take extensive planning. After conducting all the research, calling and making the contacts; getting out on location was thrilling but accounted for only 20% of the production! Logistically it was challenging, Meru National Park is not a well visited park like the Maasai Mara or Amboseli. I booked a direct flight from London Gatwick to Nairobi to go and film at the Born Free office based there, the ivory burn and then a small carrier plane into the heart of Meru for the lions.

Upon descending Meru, all I could see was a small office – no runway as such but more of a dirt track – then suddenly a giraffe galloping away from us in attempt to avoid a collision! However, the Born Free team and Kenya Wildlife Service were remarkable, they helped make the shoot a success – driving me to all the locations within this most beautiful and underrepresented of parks. The ivory burn was undoubtedly the hardest to get permits for; but with a lot a patience and incredible support from the Born Free’s president (CEO) as well as one of my contributors, Will Travers, I was fortunate enough to be able to film at the historic event.

8. Did you have much in the way of money to play with?

Not at all! I calculated a rough budget of £3000, as most of my negotiations brought the prices down and the park fees to film were waivered in return for me editing a separate version for them. This may seem ludicrous to most drama filmmakers, but in wildlife the budgets are far smaller and so this is where precision also plays a part throughout the production process. In total it cost £2600 for a 10 day shoot – this of course excludes all the pre-production and post costs as I was the one researching, filming, directing/producing, editing, grading, sound mixing; however the music was beautifully composed by MA student Richard Collins as part of his course. The facilities were provided by my university and the training in advance, but also a lot of practical reading and watching hours and hours of ‘How to…’ videos! Kit was also borrowed from the university and so most of the budget was spent on flights and accommodation. I did however set up a crowdfunding campaign and managed to raise half the funds to go; kind support from family, friends and strangers alike. IndieGoGo was the platform I used as it’s less risky if you don’t hit your top target.

9. And what were your kit choices for this film?

Kit wise I used what was available at university; the Sony FS700 with the kit lens (18-200mm f/3.5-6.3), the 50mm f/1.8, 100mm Canon f/2.0 primes and the 100-400mm with the EF metabones adaptor. The telephoto was crucial for getting close to the action when it would have otherwise been too far and dangerous. This was especially the case with the lions! For sound; radio mics, Sennheiser 416 with the 522 mixer, and a Tascam for good measure – the latter was used to record atmos in the field. The wild sounds of Kenya truly are as vivid and vibrant as you would imagine. I loved recording the young group of school children who sang to us, it stirs up many joyful memories when played back.

The film was edited on Premiere Pro, Pro Tools, and graded in Da Vinci. In hindsight, I would have loved to have taken an DJI Ronin MX gimbal, FS7 and a Phantom 4 Pro drone for the aerials; but very grateful for the access to the kit we had, especially as students. You are only ever truly limited by your own imagination.

10. Where does it sit alongside the rest of your portfolio of work?

In terms of technical difficulty, time scale, and aspiration to make – it’s right up there! As I am sure many of you reading this have experienced, we are our own worst critics. However, this is one project that I was excited and dare I say it, proud to have made. It’s been a life-long ambition to meet my heroine Virginia McKenna, and never thought I would get to experience the true Born Free story alongside the incredible people who keep that spirit of the Kenyan wilderness alive.

11. So where are you with the film right now?

The film is now complete, however there are a few colour grading tweaks being done by a professional, as I now have the confidence to hit the bigger festivals! It was something that I lacked skill-wise, and could only grade and colour correct to a certain extent. I’m looking forward to the festivals and so far, it’s collected awards at six in the US, UK, India and Spain; winning recently at the Wild Film Fest in Falmouth. But more importantly, it’s been shared in the schools back in Meru where it was filmed, and where the real difference in changing attitudes towards these amazing animals can be made. They are the generation that can make all the difference.

12. How is it looking at this stage in the game?

All finished! It took me 10 months in total, with my fellow course mates and I recently enjoyed a screening of our films at the Everyman theatre in Bristol. It was incredibly rewarding to see in on the big screen with family and friends, as well as some BBC staff who came to support us. A project that you are so involved in does, to a certain extent, take over your life for a while – but it’s such an incredible feeling to see the end creation. Although I always say that if I didn’t set myself a cut-off point, I’d be forever editing! I received a heartfelt letter from Virginia McKenna, my main character, about how much she enjoyed the film – and that was very special indeed as she had a huge influence on me when I was growing up.

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A post shared by Tania Rose Esteban (@tania.rose.esteban)

13. And how do you plan to promote it given that this is such a competitive marketplace?

I plan to promote it through a variety of social media platforms; Twitter, Instagram, Facebook, etc. and by connecting with influential Born Free supporters who can use their media presence to share and connect the film with the intended audience. Equally by continuing to enter festivals, I hope to promote it further worldwide. I also shot some 360 VR ‘behind the scenes’ clips to showcase on my website, especially during the ivory burn. Tapping into this market is key to reaching the younger audiences or those not necessarily interested in wildlife. During the run up to the film’s creation, I built up an online audience offering exclusive clips and images from the shoot as well as other stages of its development. It’s really important to engage with them and respond to what they have to say; as well as offer any advice. They also want their voice to be heard.

14. Can you tell us about the other projects you’ve been working on?

At the moment, I am employed at the BBC as a researcher with the digital team – one of the most innovative, creative and energetic group you’ll meet at the Natural History Unit! I’m loving every moment, most recently we released exclusive Snapchat stories for Planet Earth II in the US, and now I’m working on another digital project associated with the Blue Planet series. It’s incredibly exciting as you get to help out in various productions with different roles. Film-wise I do have a couple of personal project ideas in the pipeline, and I am very keen to shoot another short using the superb Panasonic GH5 – watch this space!

15. How do they differ from this one?

They differ in that they are not located in Africa! I’ve always been incredibly drawn to the continent but now have storylines I’m researching in Australia and Japan, both having more of a cultural-human element to them. However, another short I’d love to shoot is more of a pure wildlife blue-chip style, and I now have access to better equipment and financing to facilitate the projects.

16. What is your favourite genre and why?

I’m a little biased when saying I adore making natural history, but it’s something I live and breathe every second of the day. For centuries, humans have told stories to make sense about the world- illuminating behaviour, making order out of chaos and to create moral meaning. It’s the way we can comprehend and pass on information, with which we have the insatiable need for form and structure in the way we tell them. Natural History has been documented for thousands of years through visual, physical and audible means, whether through the primitive Stone Age depictions of a hunt through cave paintings, to the now pioneering ultra-high definition wildlife films. Nature is endlessly fascinating and beautiful, and as a curious person it’s something that I’m always passionate and keen to share with others. I am certain most of us have this desire to learn about the world around us. I do of course enjoy watching a great variety of programmes and films; adventure, comedy, sports, fact ent, animation and action! You can learn many lessons from different genres.

17. Are there other genres that you’d like to tackle?

Natural History will always be my passion – but I do believe you can cross-pollinate genres and get interesting results. A superlative example the award-winning success Virunga directed by Orlando Von Einsidel; where wildlife documentary meets investigative journalism. It combines elements of “The seven key steps of story structure” as described by screenwriter John Truby, and regardless of it being a non-fiction film, Virguna also contains strong dramatic elements and a classical story structure of good versus evil. Battles depicted through the civil war and conflict between the park rangers and the oil companies are also tied in with the need to survive, along with the desire to exploit natural resources for profit. These all conjoin into a single cause and effect pathway through the combined use of a ‘run and gun’ shooting style and profound emotive pauses. It would be interesting to try a more daring, journalist approach with a conservation story – thrilling audiences by being immersed right in center of the action.

18. So what is the filmmaking climate like in your neck of the woods?

Wildlife filmmaking is quite different to drama in my experience. Whilst we are adopting more cinematic techniques and technology using gimbals and aerials to create a parallax and dynamic edge; the set-up times, cast (!), budgets, and approach are quite different. I worked recently on a drama set as a camera assistant and found the whole thing fascinating; there certainly are no repeat takes when filming a wild animal in action! Equally, whilst in drama you have many specialized roles such as focus pullers, gaffers, and make up; wildlife crews are noticeably smaller as costs for location shoots would soon quickly rise – budgets are noticeably smaller. Most crews are a jack of all trades, and you learn quickly how to be as multi-skilled and useful to a team as possible. It’s the most incredibly rewarding and thrilling industry, and you never quite know what animals you will see and how they will behave. If you’re lucky, you can capture unique behavior that’s never been seen before.

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A post shared by Tania Rose Esteban (@tania.rose.esteban)

19. Are you at the stage of making any money from this as yet?

No, I decided that this project would not be for profit, despite my access to the ivory burn. I wanted this to be an educational and inspirational piece and shared far and wide; available to anyone with an interest in wildlife and Africa. Now that I know I can make a short film – next time may be different!

20. So where do you see this filmmaking route taking you in the future?

I hope to follow in the footsteps of some of my filmmaking heroes; Sophie Darlington, Sue Gibson, Justine Evans – the best female camerawomen in our industry! But equally, I do want to pursue my passion for producing and continue to create compelling stories. I recently met the producers who worked on Planet Earth II who were incredibly inspiring- their work is truly in a league of its own. David Attenborough of course has been the greatest source of inspiration; and If I can make entertaining, emotive and compelling films that inspire others to want to make even the smallest of positive differences on our beautiful planet, then I’ll be a very happy earthling indeed.

Panasonic GH5 – A wildlife filmmaker’s dream?

Hello everyone! It’s been a while since I wrote a single word on this blog as these past 6 months have been hectic- editing away for A Lion’s Tale, doing work experience on the One Show, BBC Wildcats, attending Wildscreen – and recently my own film premiere at the Everyman theatre! I’m officially a graduate MA Wildlife Filmmaker; time has flown and can’t actually believe the course is over now. I also managed to get some very exciting work at the BBC as a researcher for NHU digital, on Planet Earth II digital and now the Oceans projects – a dream come true (!) So much can happen in the space of a few weeks, Bristol is such an incredible city full of passionate creatives…

More of that later, but today I’m here to share my experience with the greatly anticipated Panasonic GH5, which has been released TODAY...

At the beggning of February I had an amazing opportunity to try out the pre production GH5 model, which I was especially excited about. I had been reading different hybrid mirrorless camera specs, including the GH4 and A7S II; but then came across the GH5. If I could write a specs list as a wildlife photographer and filmmaker – this camera would tick them all! And whilst there are many of you out there shooting incredible films with FS7’s or RED One’s, this article is targeted towards those with much smaller budgets and the need to travelling light. I principally wanted my choice of camera to provide me with all the features that allow me to have stabilized, sharp images, 4K at 10 bit, variable frame rates to shoot in high speed and capture high quality, blue-chip style footage… and here it is! Not to mention the improved low light performance and compact body…

Here’s the tech specs for you to drool over:

Technical Specifications

• 20.3MP Digital Live MOS Sensor
• Venus Engine Image Processor
• UHD 4K 60p Video with No Crop!
• Internal 4:2:2 10-Bit 4K Video at 24/30p
• 4:2:2 10-bit (DCI and UHD up to 30p + HD 60p) Firmware update summer/April
• 400mbps All-intra (DCI and UHD up to 30p) Firmware update summer/April
• Variable frame rate (up to 180fps in 1080p HD: )
• 5-Axis Sensor Stabilization; Dual I.S. 2
• 0.76x 3.68m-Dot OLED Viewfinder
• 3.2″ 1.62m-Dot Free-Angle Touchscreen
• Advanced DFD AF System; 6K & 4K PHOTO
• ISO 25600 and 12 fps Continuous Shooting
• Dual UHS-II SD card Slots;
• Wi-Fi & Bluetooth
• Improved low light
• Hybrid Log Gamma (for HDR video)
• Waveform and Vector monitors (for all you graders out there!)
• Price:  £1699.00 (body only, UK)

Sample shots

So enough of me gabbling on; here are some stills I took at Bristol Zoo and around the city, using the 100-400mm f/4-6.3 and  the 15mm Summilux  f1.7  Leica lenses:

Ducks galore. 1/650 sec, f/6.3 with the 400mm Leica lens. 6K stills mode.

Lions lair. Shot handheld through a fence 1/650 sec, f/6.3, ISO 1600 with the 400mm Leica lens. Cloudy/dark conditions so had to increase the ISO as the min aperture was 4.

Look into my eyes. 400mm Leica lens at 1/400 sec, f/6.3, 1600 ISO, manual

Sleeping beauty. 400mm Leica lens at 1/320 sec, f/4, 400 ISO, 6K stills mode.

400mm Leica lens at 1/320 sec, f/6.3, 400 ISO, manual

400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

400mm Leica lens at 1/1000 sec, f/4.0, 1600 ISO, 6K stills

15mm Leica lens at 1/500 sec, f/1.8, 200 ISO, manual

400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

And now for cities!

15mm Leica lens at 1/1020 sec, f/1.8, 200 ISO, manual

15mm Leica lens at 1/3200 sec, f/1.7, 200 ISO, manual

15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.65sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual

So here’s my short little summary breakdown of the pros and cons (so far):

Pros

• Incredible image quality. Both stills and video
• Sharp 
• Fast focus, cont focus very good with fast moving subjects (with a whopping 225 autofocus points compared to the GH4 which had just 49 of them!)
• Dual IS was brilliant; everything was shot handheld!
• Colours were vivid and realistic
• Variety of functions and control
• Viewfinder superb contrast and easy to use in combination with the screen
• Screen: incredible quality and sensitive to touch screen capabilities
• Solid feel, nice grip
• Sound stereo actually good
• 6K photo function
• Ability to stabilise on a drone and shoot 4k 60fps
• Price: Nearly $1500 cheaper than the A7S Ii, you can afford to splash out on a decent lens and not struggle
• Compact: You get through customs without questions, as a ‘tourist’ and not draw attention with a large FS7 or FS700 without compromising on quality…
• You can use this on a Movi for additional stabilisation
• Ability to attach mics – interface with Panasonic’s optional hot-shoe powered DMW-XLR1 microphone adapter (for amazing sounding interviews!)

Cons

• High speed grain. Quite noisy at 180fps, better at 120 when light conditions were good. An try and avoid using 1080 120 100mbps with a telephoto lens (if you’re using the 15mm 1.7 you’ll be fine as this is a nice wide, fast lens that gives you plenty of light).
• 100-400mm manual focus not as smooth or intuitive as some of the Canon L glass (but you can get a speedbooster and mount for your Canon lenses)
• Battery life; constant 4K shooting 3 hours and 15 minutes. Not mega efficient! But can get 2 and lasts longer than A7S.
• Poorer performance at 3200 in low light, not good in darker conditions with telephoto, but superb with the 15mm

What next?

Well, there’s a few things that I personally want to film with this revelatory new piece of camera technology. Exquisitely designed in terms of ergonomics and with the operator in mind – this is certainly one to watch for indie wildlife filmmakers who not only want to shoot stunning stills, but also enter film festivals with high quality films – all within budget. (Then you’ve got more to cash to splash on going out on location to exciting places!)

More soon with video footage samples in 4K and variable frame rates, as well as a more extensive guide on what each of the features allows you to do – but in the meantime, get down to your local camera store and try it out!

ps: Me playing with a DJI Ronin! And soon the GH5…..

Day 2: Born Free office Nairobi & Will Travers

Today we filmed another 3 interviews with the fantastic Born Free Kenya staff for the 30 minute version which I’ll be cutting for them. It was fascinating to see behind the scenes of one of the busiest wildlife charity offices in Africa…and yet the scene inside would suggest otherwise.

Bliss in the office compared to the hectic streets of Nairobi!

We were pretty overwhelmed from yesterday- I went to bed that night with scenes of ivory towers and AK-47 assault rifles swimming towards me in slow-motion. The smell of death was also pretty horrific; over 6000 elephants were killed for their ivory, and each pile of ivory equated to 100 tonnes.

10 tonnes of ivory per stack, representing the death of countless numbers of elephants.

So today we interviewed Tim Oloo, the country manager of the Born Free Foundation. He’s been working with them for over 2 years now, having previously worked for KWS as a senior scientist (5 years) and Serena lodges. His undergrad involved extensive research on Rhino’s in India, which he spoke about fondly. He clearly has hope for the future of Kenya’s wildlife and is supporting the efforts of both KWS and BF. We decided a nice set up outside would reflect his love of the outdoors and also avoid the troublesome tungsten lights inside. However the streets of Nairobi weren’t helping- what a noisy city!

Nevertheless, we pressed on, asking some passerby’s to be a little quiet for the interview, and we began. I sat as close to the lens as possible in order to achieve a nice eye line. The prime lens as a second camera was lovely…100mm will never let you down, beautiful bouquet. The wide shot was equally pleasing!

Timothy Oloo of the Born Free Foundation

Next up was Phoebe, our logistical angel and office manager. She has been the point of contact in Kenya in term of getting hold of Victor, booking the hotels, sorting out the whereabouts of our stay and getting around in the Born Free Landrovers. We then filmed around the beautiful grounds of the BF office, with hundreds of butterflies frolicking, cavorting and mating in a an aerial orgy- spring had certainly sprung here. In this sense there is no spring as Nairobi is remarkably close to the equator. managed to film a butterfly mating in mid air- truly magical!

The Nairobi Born Free Office

Got to love a slider shot…

Filming rain #DoesntGetMoreExcitingThanThis

We then headed into town for some lunch, Pizza for Adrian and a salad for me! I must say its quite weird to be stared at so much, but then again there aren’t that many visitors that are white to this area so I guess we must appear to stick out like warthogs in Wyoming. It then started to heave it down, so we retreated to to the office and filmed some slow motion droplets. I think Will is finding my obsession with the technique quite humorous. Got some nice slider shots of 3 life-like model statues too…roaaarrring success….

First shot of lions- right here in Nairobi!

Then off to our lovely hotel (House of Waine), where we decided we had to find a sound proof place to interview Will…we struggled enormously… the rain was making such a racket on the ground but we had to do it today as tomorrow is the Ivory Burn! No time! SO we were helped by the lovely staff to find a quieter room upstairs. It was still rather tricky though I must say….however in such circumstances you have to make best use of what is available. We even had thunder…However Will was a master at answering all the questions, he truly is a professional and made our job a LOT easier. Huge thanks to the helpful staff at the Hotel!

After that we joined him for dinner in the lovely restaurant. If coffee is your thing, then make sure you get it in Kenya- such a delicious earth blend. No idea what I ate, some sort of tomato/potato bake which was rather delectable. Over dinner we chatted away and listened to Will’s fascinating encounters with people at the plentiful occasions where he attends major events/meetings/conferences around the world. What a life he has had!  After that we headed to bed, but then DISASTER….

Adrian lost his potatoes…

 

LITERALLY..he was THROWING UP everywhere bless him! And worse…despite my best attempt to give him immodium and electrolytes, he just wouldn’t hold anything in. We reckon it was the pizza. I was feeling comparatively fine, but terrified at the prospect of taking him to hospital. His condition improved after getting rid of whatever his body was rejecting, but he was very weak…I don’t think he will be able to come to the burn like this, there is no way he can hold a camera feeling this ill..

I’ll have to go to the IVORY BURN ALONE tomorrow..…

With the shot lists, batteries charged and storyboards in mind, wish me luck!

 

 

A Lion’s Tale

As many of you know, I have been off filming in Kenya as part of my final Master’s film for the UWE Bristol-BBC course. Here is a little more background to the story before I start blogging the exciting events that happened during the trip!

Please check out more about the FILM here:

https://www.indiegogo.com/projects/a-lion-s-tale/x/11469504#/

 

Synopsis

2016 is The Year of the Lion that will honour the 50th anniversary of the film Born Free. A story of true determination, passion, love and drama – it is one of the most successful conservation stories ever told all. This film will be presented by Virginia McKenna, the actress turned wildlife activist as she tells us about her journey to protect the lions of East Africa and introduces us to the team of rangers currently working in Elsa’s heartland, Meru National Park. Led by Virginia’s son, Will Travers and the charismatic Victor Mutumah (Game warden of the Kenya Wildlife Service), we see first-hand how the threat to lions has never been so pressing.

Wildlife activist Virginia McKenna; actress turn conservationist

Meet Victor Mutumah: chef extraordinaire and wildlife conservationist or Born Free.

OBE Will Travers: son of Virginia and Wildlife activist, president of the Born Free Foundation. Shown here at the major Ivory Burn event we attended.

Why now?

Their numbers have declined by 90% since the making of the film, and the recent lion census has revealed that in Meru poisoning, snaring and hunting is threatening the last remaining populations of the original lions raised by George Adamson. As the team search for answers across the dramatic landscape, it ultimately leads them to the local Borana people whose livelihoods are equally at risk from these majestic predators.

Without urgent action, lions could become extinct into the wild within our life time- as currently there are less lions than rhino in the wild…

Can the team help convince the new generation of children of the value of lion? Will they change from hunters to conservationists? Will Virginia’s lion legacy be felt in the true heartland where it matters most?

Where?

Our documentary will take place in the heartland of the Born Free story, in the little visited and utterly unspoilt Meru National Park where the Adamson’s released Elsa the lioness into the wild. Steeped in history, few places are comparable to the remote and rugged atmosphere found here with a vast range of habitats, criss-crossed with 13 natural rivers. From the majestic lion and the minute naked mole rat – it truly is a landscape of contrasts.

Virginia McKenna

Despite being at the peak of her career, the film and all it still stands for changed her life…It’s powerful message stayed with her after the film and so she gave up Hollywood and began a lifetime of campaigning across the world to save animals from commercial exploitation, imprisonment, cruelty and the loss of their natural habitat-focusing relentlessly on her personal mission with the Born Free Foundation.

The Story

In the beginning we meet Virginia McKenna, actress turn conservationist as she introduces us to the Born Free film she was involved with, and shares the impact it had on her. Through a series of interviews and cut aways to archive of the Born Free Film, we gain an insight into why lions are important to her, her relationship with them and what the Foundation is doing as part of their campaign to halter their startling decline….

We then journey to the homeland of Elsa the lioness and the heartland of Joy Adamson- Meru National Park. Virginia’s voice guides us though a remarkable raw landscape in the foothills of Mt Kenya with its herds of zebra and elephants, home to the descendants of the original lions from the film. Here we meet Victor Mutumah of the Born Free Foundation and the rangers who fight tirelessly against poachers and bandits.

The reality of what’s causing the lions decline is revealed in the field as the rangers track down snares and traps.However the main cause is shown as human populations encroach further into lion territory this often leads to human-wildlife conflicts and a fragile relationship between lions and locals. Is conservation on the agenda amongst the local people? An interview with a local farmer from the Meru tribe gives us an insight into where this stems from, and what is really thought about conservation.

What does Born Free and the KWS need to do to change their views in on one of the last strongholds of lions in Kenya before its too late?

Born Free and the KWS attempt resolve this conflict by reaching out towards the community and giving them the tools to become conservationists. With the Global friend’s programme, they educate the next generation of lion guardians about the value of lions to their culture and livelihoods. By focusing on environmental education and benefits to human communities; Global Friends encourages communities to find their own solutions to human-wildlife conflict… As well as this, de-snaring operations and research are helping to reduce conflict and enable a better understanding of the last remaining individuals in the park. However the threats are very real to the rangers, who need to protect themselves as well as the lions they so dearly care about.

On the final leg of the journey, we meet Virginia’s son, Will Travers as he journeys to the Ivory Burn in Nairobi National Park; the largest in history, and a symbol of hope to tackle the ever increasing rise in the illegal ivory trade and of all of Kenya’s species.

But will this be enough to change people’s relationship between lions to a positive one? Is there hope for the future of Kenya’s lions?

 

 

The Impact

On completion of this film, it will be screened at the BBC Natural History Unit this September 2016, a day of great celebration for everyone involved in the project and YOU at home for making it a reality. Then it’s off to the Film Festivals around the world! Virginia’s Lions could have an impact on raising awareness about the plight of lions and encourage protection from commercial trade at the 17th COP convening with CITES in Johannesburg, South Africa.

The Born Free Foundation since its creation in 1984 originally with Zoo Check, it has raised over millions and grown into a global force for protecting and rescuing wildlife. It is working harder than ever with local communities to give them right conservation tool, with its personal passion for wild animals and desire for positive change remaining at the heart of the foundation.

Resolution?

Virginia’s message of hope is an inspiration to us all, and something which all humans share. I hope to raise awareness about the plight of lions through my film, but also celebrate the story of Virginia McKenna and the Born Free Film which changed her life. This story is unique in that Virginia is not a scientist, nor a local Kenyan…but someone who has a deep passion and connection to the place and the wildlife around her. We will ultimately decide the fate of lions, and so let us chose hope and rally with Born Free to ensure the next generations will see this remarkable iconic species in the wild for themselves.

Photo credit: The amazingly talented Robyn Gianni took these photographs and is allow me to use them for the film! Check out her incredible work here:

 

Trailer: https://vimeo.com/163647394

 

Wildscreen Re-launch 2016!

What a first semester it’s been! New Year has kick started with a bang, time is flying by and we’re now planning our final film projects and pitching to the BBC soon… it’s all becoming a reality now and I  can’t tell you how exciting it all feels. I’m trying to catch up on some much needed blogging after all the Christmas shenanigans and deadlines- here’s what happened at the Wildscreen Re-launch 2015!

Wildscreen…the Natural History equivalent to the Oscars, announced that the 18th Festival will take place in Bristol, UK from Monday 10th October until Friday 14th October 2016 – we can barely wait! I for one am very excited at the prospect of volunteering as well as entering this year. The talent last year was truly astounding, and more than ever conservation is beginning to make a come back in the form of human and animal  characters, with strong emotive storytelling. (*Hint*Hint…along the lines of my final film too).

At the festival, anyone and everyone in the industry turns up to celebrating the world’s best natural world film event. They all congregate in the dining hall before the main awards event, looking rather resplendent in all that finery. Even the rarest of them all congregates at this most awe-inspiring of talent pools…Sir David has been known to make an appearance despite being a highly migratory species.  At the Festival there’s a whole host of fantastic workshops you can get up to including masterclasses and keynotes which provide unique access to some of the sectors most influential, powerful and innovative individuals.

SO…a the re-launch we were given the task of filming and vision mixing the event, as well as welcoming guests into the viewing. We met up with two experienced cameramen who positioned us in left and right winds as well as the back. Whilst one of us was in charge of tracking the speakers in a mid wide shot, the other to cameras were either a steady wide or “interest cam” where we could get more creative and get close ups of the face and hands as the passionate speakers gesticulated with verve.

We also got involved with welcoming VIP guests with a snazzy Wildscreeen T-shirt, and it was quite thrilling to welcome in some of the biggest faces in the industry. Sadly no David but we shall meet again! It felt so humbling to be in their presence, and a real reminder that we have so much to learn- they’ve been there, done it all and literally gotten the T-shirt. They are so knowledgeable, and I feel incredibly lucky to have been taught by a few of them. Once everyone was in, it was time for a quick piece of tortilla and then leg it to the stage, the show wouldn’t start itself!

Anna modelling and rocking that T-shirt

I was also playing around on the vision mixing desk with Dave, head technician and our lecturer, as well as all round cool, techy, goatee guy. This was an interesting experience for me and really appreciated how important timing is!

Cue Titles……

During rehearsals I got to see some very interesting speakers including talented and rising star Patrick Ayree. A former UWE student himself, he’s blazing our screens with superb new productions such as his most recent Big Cat series by Offspring Films, Sky 1. His dulcet tones emanated from the stage as he hosted the event whilst we were treated to stunning array of photography. He’s certainly one to watch for in the imminent future…

Patrick Ayree hosting the Wilsdscreen Re-launch event, at the rather resplendent Bristol Old Vic.

Then things got fishy…in a good way though, with Wildscreen’s New Horizons Nicholas Röhl, a man with a vision to change the way we recklessly catch fish in an unsustainable manner, through his admittedly bold and humorous photography. Fish Love is at the heart of a global movement
 to protect our seas from destructive fishing practices. The portraits, featuring celebrated individuals with fish have successfully raised awareness for campaigns such as Deep Sea Coalition, OCEAN2012, The End of the Line, and Blue Marine Foundation. Visions of celebrities adorned with fish is something I didn’t envisage, but nonetheless it was a very interesting concept! Check out and support his work here.

Here’s the video too! (Shot on our Sony FS700‘s)

Alex Morris, Creative Director at Barcroft Media talked Digital– where they source amazing photographers using the internet, social media and forums to find the most talented individuals…as there’s a huge demand for eye-catching content. They also a YouTube channel with large global audiences that would even make Taylor Swift go weak at the knees … with over 100 million  views a month! Fun fact of the night:  A staggering 300 hours of media is uploaded every min onto YouTube– that’s a LOT of cute kittens and sneezing pandas…

Violinist Tamsin Waley-Cohen gave a stunning heartfelt performance of The Lark Ascending by Vaughan Williams. Such a beautiful creative display of our relationship with the natural world shown in conjunction with a series of some of the very best wildlife and environmental photography from many talented individuals. This was perhaps one of my favorite highlights of the event as its clean, inspirational simplicity allows your imagination to run wild and feel moved emotionally…a deep routed connection to the natural world that resonates strongly with us all.

After the event it was time to relax and meet some of the guests! And of course show off our new Wildscreen T-shirts kindly given to us by the organizers, thanks Hannah! You all pulled it off!

So here was out team photo #GirlPower! We’ll see you for 2016!

 

Ocean Film Festival 2015 – Bristol

Having a Whale of a time

Saturday was the International Ocean Film Festival UK Tour at the rather splendorous Victoria Rooms- a regular concert hall for the students of Bristol University. What a fitting venue to showcase some of the worlds most inspirational ocean based films, from the icy expanses of the Arctic, the colossal depths of the pelagic Southern African oceans to the rip-roaring undulations of waves off the coast of Hawaii- this 2 hour plunge into the ocean will literally leave you gasping for air…

I chose to go to this rather than the opening of the Encounters Festival as I feel assessing your own response and emotions towards the films is far more valuable in terms of learning a great deal about what works within this industry. That and wanting to watch some epic shots of surfers, photographers and divers!

First up was the hugely gob-smackingly courageous and gutsy “The Fisherman’s son” filmed by Chris Malloy, about Chilean born surfer pro, Ramon Navarro– a son of a subsistence fisherman off the once sleepy shores of Punta de Lobo. His entire life path was shaped by the random kindness of a visiting surfer who had given him one of his old surf boards to practice on. So Ramon would head out onto the rough swells of the Pacific Ocean- the largest in the world… where his passion and connection with the Ocean fueled a gritty determination to explore the world. The journey of this gentle fisherman was captured with an assorted collection of local interviews as well as with his good pro surfer friends.The lighting during these was actually quite ethereal and intimate; capturing that sense of mystery about this once unknown fisherman.

He now has such a huge following that he uses this power to campaign against the development of his hometown- something which I hugely admire with any “celebrity.” I think the ability to use your voice as a vehicle to influence others when you have such a following is almost a duty, but more importantly it should be something that comes naturally, the want to make a difference in the world. ALL of the sequences of Ramos and his chums tearing down the jaw-droppingly immense waves are as remarkable as they sound… the elegance with which Ramos executed the anglelings, kick outs, aerials (dude yes, I’m down with the lingo), was exhilarating. The man would never fall off! He glided seemingly endlessly across the water, and with such ease that its a surprise that he hasn’t the nickname Jesus de Chile. Check out the film here:

Next up was a rather quirky short with a very talented sand artist, depicting the unseen problems and ignorant relationship we have with the ocean. He dashes his sand across his glass, and in an almost hypnotic way in rhythm to the music, where he then moves his fingers across to paint the picture. The destruction of our oceans through dredging, pollution and over fishing are just some the highlights of this short but powerful film.

The next film was a rather remarkable journey of a South African surfer who rose above a physical and mental tragedy of losing his ability to walk. It was the Ocean where he sought to take his own life, and yet the very place where by an inevitable twist of fate that he found it once more. He describes his difficulty in accepting his condition, and then this almost leading to his “collapse into the abyss”. And yet feeling the “strength” and “spiritual power” of the ocean is what led to him living a full and adventurous life, sailing his own boat solo across the Indian Ocean, meeting fascinating people and places. DevOcean is a real reminder of how EVERY individual has a powerful journey to make and its how their attitude towards life can be shaped by the natural world around us. Top short film.

After a short break – with the light-hearted topic of contemplating the meaning life with a fellow course mate and friend, we returned to watch another repertoire of unbelievable stories created by indie filmmakers. Arctic Swell, although a short film, shows the incredible photographic talents and remarkable endurance of Chris Burkard and a team of surfers up by the freezing sub-zero temperatures of Norway. Nevermore so has the preconception of a typical blonde surfer with a bronzed tan and generally not wearing much been so overruled… deep within the Arctic circle, with wind chill and waves that carry seemingly endless pancakes of cobalt-blue icebergs are the team of dedicated explorers- keen to capture the majesty and beauty of this raw landscape. The colours are some of the most awe-inspiring I’ve seen, and the contrasts between the hues and tones makes his photography truly magical. Check out some of his incredible work: http://www.chrisburkard.com/

The next one was rather unusual and quirky, The Fox of Bloody Woman Island was about the unusual life of one Nordic traditional Viking boat builder- Ulf. Another short, this was certainly the weakest of the cohort, but nevertheless fun to watch the hilarious antiques of this solitary wild man of the woods. He certainly was a very talented wood worker, and incredible audaciously bold to skinny dip every day in the sharp, cold dark waters of the Nordic Fjords. A true Viking at heart! The next small short was quite extraordinary, the remarkable talents of young 6 year old Quincy Symonds, known as the Flying Squirrel. Growing up with health complications and yet being able to surf with extreme accuracy and flair really made for an inspirational story. I mean what were we all doing aged 6- starting to ride a bike? A hear-warming tale of the families journey through her health problems and overcoming them together…Little surfer was all very Disney like.

Finally we come to the last film about Hanli Prinsloo, an ex-pro free diver, from Johannesburg. She certainly took our breath away with her outstanding ability to dive deep into the depths of the ocean, all the while gliding with eloquent grace like the marine beauties she so ardently seeks to film. Having had many years as a successful Pro Diver in the World Championships, she decided that taking a larger conservation role and enjoying the beauty and thrilling experiences that the oceans has offer was far more rewarding. Be prepared to see her diving with some of the worlds most incredible marine species- Mako, Blacktips, Blue sharks and dolphins! Ocean Minded was a fantastic way to end the stream of awe-inspiring films.

Here’s a short clip of her reason for her love of the Ocean and her work with the Ocean Conservation trust.

All films had a remarkable inspirational and motivational message to get across, which was most fitting as my course friends and I are about to embark on our own journeys into the world of Wildlife Filmmaking. I really do feel so blessed and fortunate to be able to have this opportunity, not only personally to pursue a childhood passion, but hopefully to be able to make a difference to this most beautiful blue planet of ours.I hope you can join all of us on this exciting adventure and be prepared to see some incredible, staggeringly beautiful people, places and nature around the world!

Help support the ocean and go on a 2 minute beach clean!

South Africa Wildlife filmmaking internship – How YOU can volunteer for free!

Backpacking and volunteering in South Africa

This year in June I flew to South Africa to pursue a childhood dream and volunteer as a wildlife filmmaking intern in Monkeyland, Birds of Eden and Jukani– 3 wildlife sanctuaries located in The Crags, Western Cape, Titsikamma National park. I never thought it would be possible until I began doing my own research- without the costly fees of a company doing it for me. I’m a scientist by nature, research is what I love to do! So I set about by looking at the organisations which didn’t charge an arm and a leg to simply volunteer. Its infuriating when such companies around the world will voraciously take advantage of students wanting to give up their time to a good cause, and have a trip of a lifetime; travelling whilst it’s still possible without being tied down to jobs and life.

So I’m creating these following posts to help YOU VOLUNTEER ON A STUDENT BUDGET, WITHOUT COMPANY FEES! WHY? Because I was in the SAME SITUATION as YOU, and wanted to experience Africa at my own pace, see and do incredible things and meet amazing people.

Above is a little video clip of one of the many species I filmed there. Many of these individual Capuchins have been rehabilitated and evidently the methods have worked, as they display remarkably natural behaviour and social interactions.

So here’s what I did and how you can also do something similar for a budget price.

I worked as a student volunteer at the South African Animal Sanctuary Alliance parks, Plettenberg Bay to work as a ranger tour guide and photographer/filmmaker in the Monkeyland, Birds of Eden and Jukani wildlife sanctuaries. They fund themselves through revenues from tourists who take educational tours of the sanctuaries, and multi-lingual tour guides are much needed to continue to bring in funds. A detailed catalogue of all the SAASA species has not yet been made of the primates, birds and apex cats, and so I wanted to help compile this information, along with taking photographs and film footage (for YouTube) of individual primates as an important part of the project.

I really wanted to be able to make a difference at the SAASA by bringing my skills as a photographer/videographer/zoologist and researcher, as well as help to build up a collection of all the species and individuals at the sanctuary.

Having studied zoology at the University of Leeds for 3 years, I felt the need to travel and experience different cultures, sights and wildlife encounters before I go on to study for my Master this coming September at Bristol (for a MA in Wildlife Filmmaking). Not only did I feel I would grow as a person, but also gain further insight and build upon my current portfolio which will prove to be very useful when applying for jobs as a freelance camera woman.

It has been a life-long ambition to visit South Africa, I missed out on an opportunity field trip last summer due to my research project that was to be conducted in the UK on bat foraging distributions. I can tell you it has far surpassed my expectations… it’s really was life changing and incredible, fascinating, awe-inspiring, revelatory, amazing, stunning and… yes this is why you should GO FOR IT!

On the SASSA website they advertise the jobs that need doing and how you can get involved, and the possible accommodation that’s nearby where you can backpack and be drive to and fro; take a look:

1# Getting the volunteering internship  

SO sort out what your role will be doing with Vivjer and Laura via email or telephone. Then you can start thinking about where you want to live these next few weeks…

This requires you to get in contact with them which is very easy nowadays- a simple email telling them what you do and want to achieve through volunteering there, what experience you have to offer, CV, website, ect. You’re pretty much in unless you’re going through a well-known organisation and a company is booking you through (such as Conservation experience Africa, or the Born Free Foundation). Having said that, Monkeyland which opened it’s doors in 1998 is actually an enormous 13 hectares, where 11 monkey species are allowed to roam free in stunning natural Afro-montane forest. Nothing is simulated, the forests were here originally before the project was started, and endemic Vervet monkeys use to roam the forests. It far supersedes anything I have seen in Europe…and is truly a sustainable, long-term project with many modern concepts and ideas being implemented by Laura Mostert and the team. In fact it’s even won the Tourism Sustainability awards (2014).

Monkeys that were previously kept as pets, ex-circus performers and abused zoo monkeys are rescued by Monkeyland, and placed into special monkey homes to rehabilitate before being released back into the forest sanctuary. This is known as the “Eden syndrome effect,” which when implemented; nobody is allowed to touch, pet or feed the monkeys…and minimal contact is made other than during feeding. When released, guest must also adhere to these rules, keeping a distance of 2m and NO SELFIE sticks are permitted.

This is to keep the monkeys as wild as possible and behaving naturally, which in my experience is most certainly the case. I got some brilliant behaviour when filming across all the species. Of course not all the species would be mixed together in the wild, but this doesn’t seem to affect intraspecies communication (between the same species). We feed them a variety of fruits and vegetables, all of which come from locally sourced farmers, so not only fresh but also benefitting the local communities. I’m not going to lie, the monkeys ate better than us! I’ll be writing more specifically about “A day in the life of a Monkeyland volunteer” soon.

2# Accommodation- backpacking all the way

Now the concept of backpacking is one that I had never come across. I had heard of hostels and camping sites, but it never really occurred to me that it could be a place to stay at a reasonable price and allow you to spend your hard earned cash elsewhere on incredible activities, trips, safaris, ect. I stayed at Rocky Road Backpackers, a quaint little place wedged in between the valleys with large open grounds.

Now I had an amazing time there, but unfortunately a problematic situation arose between a member of staff which caused problems for all the guests (a tale for another day!) and so this was unnerving…but other than that, the food was great and the transport was reasonable. But for me it was the incredible people I met there. I met 14 students from Western Washington University on their incredible journey to help the locals in Mosassami and Kurtland village– township communities in need of teaching, building, counselling and community project funding. I can say now I have made friends for life here and I spent all my evenings and weekend trips with these amazing people- having the time of my life!

The inspirational WWU students and I at Addo National Park. Couldn’t have imagined better travel buddies than this lot, missing you all terribly!

So I was paying the equivalent of £17 a day for transport, 3 meals and accommodation. I got a small shared room with a single bed, you can save a go for a tent which does come with electricity. But be warned, its COLD in winter! That’s pretty darn good, compared to hotels which can cost double the amount not including food or transport. But of course in South Africa with the strength of the pound to the rand…you can get more bang for your buck. According to a recent Post Office study, a Briton buying £500 in local currency can get 22.3% more for their money, or an additional £91.03, compared with one year ago. The current exchange rates from £ to rand are: £1=20.7 South African rand. I mean that’s remarkably weak…

Having said that, in the past if was far weaker, only now are South Africans able to benefit from tourism. You can get your regular shop for less than a fiver, go out on a safari for £13, get a taxi for £5, fine-dining for £5, accommodation for £10 or less. Hence why there is such a draw to places such as Cape Town and Plett, the strength of the pound in particular means it’s hugely attractive for students too, looking to enjoy their student finance money!

Another fantastic place is Stephanie’s Homestay, located right next to the Beach in Plett. It’s very central unlike Rocky Road, and you can get all your food shop, souvenirs without needing to ask people to drive you there which is great. You also get lifts to Monkeyland, ect as well as DISCOUNTS FOR EVRYTHING…I’m not even kidding…mention Stephanie’s name and everyone knows her. She’s sort of like your South African mama, so if a homestay backpackers is more your cup of tea, stay here.

There is a THIRD option…of which is FREE. Yes you hear me…FREE ACCOMODATION. Impossible I hear you say? Not so, Monkeyland have limited volunteer homes right next to them, a friend of mine who =volunteered here stayed here for the entire month without paying a single rand. The only snag is that it’s a bit of a …well, dump. Its not the safest of places, I’m not going to lie, but if you’re a guy or happen to be with one, its worth going. Two of my friends (both girls) stayed here and were totally fine, but you’re limited in terms of food and transport unless you rent a car. I’ll come onto that, but this is not particularly the best way to spend your hols, it’s nicer to meet other backpackers. SO unless you’re a bit of a loner, this isn’t the best option, but certainly the cheapest.

3# Flights

Right so you have somewhere to stay now. Actually getting there is the next big thing! I looked through Skysanner.com, which kept sending me the best offers for the dates I was looking for. You can go via STA but sometimes it can be cheaper doing it yourself. Since I was going to Plettenberg Bay, not via Cape Town, but through Johannesburg and Port Elizabeth, it worked out cheaper through this website. I paid £660 return flight with British Airways, flying from Manchester to London Heathrow, London to Johannesburg and then finally to Port Elizabeth.

I then got a £80 taxi to my backpackers (I know…ouch!) after an exhausting 21 hours of travelling! I booked in April to avoid the summer hike costs, I have friends that paid £800-£1000…so book EARLY! BA were brilliant too, the service was excellent as usual, and the food pretty decent too. I must POINT OUT though, DO LEAVE TIME between transfers…I almost missed my connection return flight from Joho to London because of a delay! Also watch it in Johannesburg, it can be quite dodgy over there. But other than that, enjoy your flight!

4# Packing- What to take?

Clothes

Right, I wish I could have read this before I went! Our summer is their winter…I can’t express more lucidly how South African winters are the SAME as European ones…that just because its Africa doesn’t mean that short shorts are an option! Its rather similar to a Spanish summer, not quite as bitterly cold as the UK. So do take many different layered clothes, such as thin long sleeved t-shirts, jackets, fleeces and scarves. Socks are a must too, the thick walking boot types, and bring X2 the numbers of pairs you think you’ll need…you’re going to lose half of them I promise! Also the same goes for underwear. There are few places that own a tumble drier annoyingly so be prepared to reuse (sorry), and smell like a monkey for a bit… that’s how it rolls here in Africa! Also bring a sturdy pair of thick boots for hiking in and for the muddy terrain, you’ll definitely thank me for this one. Sunglasses for those sunny days are advisable, sun cream not really. A good rugged and waterproof rucksack will keep all of this kit together nicely…DO get a decent one, I got through 2!

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Oh! And a Safari HAT of course!

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Products and tablets

Mosquitoes aren’t out yet, too cold, but ticks most certainly are- bring some tweezers! I got many whilst in the forests. Kwells seas sickness tablets work a treat for boat trips, especially the notoriously known choppy seas of South Africa…Immodium for those loose bowels of yours, the food can be too rich for the delicate intestinal linings of us Europeans, so this one will be of great help to stop you from living on the toilet at the most embarrassing of times. Never get caught out on safari! A water bottle bag is very useful too, as well as electrolytes in case of diarrhoea. This is to replenish lost bodily salts which are vital to your bodily functions. Echinacea tablets work a treat if you’re in contact with people…so many of the American students fell ill with cold bless them, these tablets keep all that away.

 

Vaccinations

I skimped a little on this…you shouldn’t but I was desperate to buy a GoPro and decided to spend my £140 on one instead of the 3 courses of Rabies. But YOU SHOULD if you’re working with wildlife! Also get your polio, tetanus, Hep A/B, and Typhoid re done if you haven’t. There’s no Malaria here so no need to splash out on the expensive tablets. All of the mentioned is free expect the rabies. Get them 2 months in advance before your trip and go and see your nearest travel clinic.

Gadgets

My favourite part! Okay, PLEASE BUY A GOPRO your life would be incomplete without one!! Trust me, I used it on all my trips; the hikes, safari’s, swimming, surfing, cage diving especially, kayaking, canoeing, running, rock climbing, ect. It’s such a hardy little camera (waterproof 30m, shockproof) that it won’t bust on you, and it makes everything look amazing with its 180 degree wide view shots. Have a look at some top tips on creating your own videos here from my last post. I own a GoPro Hero which I bought for £90 on amazon. Plus et the extras like the selfie sticks, head strap mount, ect for those awkward moments where your hands are required.

Of course I would say take a SLR camera, I myself have the Canon 600D with a zoom lens (another key bit of kit for close ups of wildlife and birds), with the flip screen to shoot video.

I had the Tamron 70-300mm lens as well as the Manfrotto MH01 to shoot at night and film. Amazing what you can get from kit under £300. Here are some of my results.

Extra batteries for your camera are a must. You wont get much opportunity to charge everything at the same time. Also take extra harddrives (Samsung 1TB), SD cards, Micro SD cards (for your phone and GoPro), recording microphone for the amazing sounds, lens wipes and universal plug for your gear.

FINALLY…

Get yourself a car if you want more freedom. If you cash in with some friends it worth getting a car so you have the freedom to come and go as you please. There’s nothing worse than having to rely on others and wait hours to bunk in with people heading your way. I got caught out several times and was left in dangerous situations alone… You DON’T want this to happen! Also it’s really cheap if you get it for the month, and petrol is also inexpensive. Will cost you about £200 for the month to rent, and less than £170 for petrol…but it of course depends where you go. Make sure you have an international driving licence, or something in your passport to say you’re a tourist visiting for a month….we got pulled over by the police for this!

Here was the car we rented for the week to go on the trips, not the most reliable of thing! We nicknamed him Freedom…

So now you’re ready to go to South Africa to the volunteering holiday of your dreams…And be prepared to have a rollercoaster of a time- Africa truly leaves a mark on your heart, and gives you the travel bug! More updates on what to expect in the volunteer sanctuaries as well as some amazing trips you can get up to too!

How to become an adventure filmmaker

SO you wanna be an adventure filmmaker?

Yes – its summer! That time of the year where we all wack out our shorts, shades and sun cream and jet-set across the world to exciting new places with friends and family. Be it glamping in Gloustershire, or snorkelling with Whales in Tonga, we ALL love to film our adventures and trips while we travel. YouTube is good evidence for this, brimming with hours of awful selfie shots of random tourists doing crazy activities, or what unusual tropical fruits they just ate for breakfast on a remote island.

So WHY go to the trouble of making one?

MEMORIES! These trips of a life-time are so called because of the incredible sights and sounds you get to see, that nobody else will ever encounter or see in quite the same way. So you can capture these moments in a different light to writing and inspire others to get out and pursue their own trails around the world.

First off….

To create a successful travel adventure film requires a blend of creativity, planning and decent tech. I don’t believe in the advice that others will say on being able to create amazing films with basic kit, you do need a good SLR or GoPro action camera with 1080p, 30fps specs! But that said, the standard of the compact camera and touch screen phone cameras  nowadays means you can get pretty close to it, so if you’re on a budget this shouldn’t sacrifice the quality too much.

#Tip 1:

The key here is to OWN a TRIPOD and keep your video footage STILL. Then you’re practically 70% closer to making an amazing video. This is because in most videos that move everything around with additional handshake can result in unpleasant and messy images. This is the worst way to showcase your amazing holiday, and something nobody wants to see – even if the quality is superb, a still camera shot marks the sign of a decent film. All the videos I’ve been shooting in South Africa have been largely on a tripod whilst filming monkeys and big cats at Monkeyland and Jukani sanctuaries. The rule applies to both GoPro’s AND SLR cameras too, mainly the SLR’s as the shake from them can be unruly.

#Tip 2:

Next up is the sound….

Now unfortunately the budget cameras that we all buy have awful quality audio- the sort that sounds like your voice has been turned into a million billion amps then compressed into sounds waves via a small cheap pair of crappy tin speakers…So your best bet is to buy a relatively inexpensive Rode mic for your SLR cameras, and if not, then don’t bother with the sound and add some on Adobe Audition or Cool pro edit. Both can be downloaded for free (Adobe audition version 3.0, not the new one). You’re an extra 10% there now.

#Tip 3:

Have a story. There’s no point I filming literally anything you walk past, have some sort of journey through which we can follow. This won’t always be possible note, and DO film exciting things you’ve never seen before, but think of whether you want to make it more of an adventure adrenaline junkie one with plenty of action shots, or a buddies trip over with long braai nights and sit arounds which may be nice to film. Of course including local people and cuisine is important, and most exciting of all, the wildlife and landscapes!

Planning a shots list always helps too, any close ups of preparing food, tight close ups of animals, then the more scene setting views of the area- so streets, mountains, the ocean, a fiesta, ect.

Then interviews should always have a personal perspective and be directly on them, with the potential to have a camera on you if you have +2 cameras. When you find an interesting place, person, animal or situation you ALWAYS film it in a proper sequence in that you get at least 25 different shots of the event in that given location, so that youre able to tell the story visually. Don’t bother if the place/event isn’t particularly memorable, better to save your memory card and battery for somewhere that is. Many a time have I been somewhere and filmed away, then run out of battery for the next day without being able to find a plug socket!

#Tip 4:

Shoot transitional shots. So whether you’re driving to your next location, passing maps, road signs, street scenes, day to day events, passer by’s, film a few seconds of it. People brushing, cleaning, eating, chatting, commuting – its all great stuff to add to your film an give it a more professional finish. Now your 92% closer to being a pro!

#Tip 5:

The edit– this makes up the final 99%! Its key to mix up the interspersed transitional shots that you’ve got, and intertwine these to make your movie more professional. Add music or commentary to suite your film and then voila!! You should have an amazing travel holiday video that you can be proud of and show off to all your friends and family. And if your feelin brave, why now show it to the world and put it on YouTube (to reach full 100% pro rating of being a good distributer), Vimeo and then spread it around on social media? Who knows, maybe you can et sponsored to take videos by GoPro, mammut, Nike, Canon, Bergus, Timberland, ect and other outdoorsy companies that would love to promote themselves through your incredible work. More about that soon, but for now, keep filming!

Into the realms of Giants- Whale watching in South Africa

It is only when, for the first time, that you see one of these COLOSSAL creatures in their element do you realise how small species we are – and yet able to cause so much damage to the world’s greatest biome that the Great whales live in.

These great whales are frequently found along the coasts of South Africa as the currents that pass through the Indian Ocean bring up-welling’s of nutrients and food to feed these 20 tonne giants. This is where the fresh, cooler waters from Antarctica meet with the warmer currents of the Pacific. However the main reason for the presence of the whales is to mate– this is literally a clubbing lek for whales wanting to find love, and also for mothers to give birth to their calves. Many locals have told me about remarkable sightings of females being pursued by amorous males for many kilometres on end, what sight that must be!

Their numbers are slightly increasing since the 1970’s ban imposed by the Whaling Union in Durban, and the dreadful practice of killing these magnificent mammals has halted. Most people now see the whales as being more valuable alive than dead which is huge plus. The whaling industry was hugely prolific back in the 1950s, from the shores of Argentina and South Georgia, (in particular during the Falklands war). South African whaling stations along the coast were also being established along False Bay where the meat was processed, where you can see remnants of the place today. Namibia also had a large station as well as Durban and Cape Town as well as in New Zealand and South Australia.

South Africa, DURBAN, Sperm Whale Caught, WHALING (1910s)

Thankfully, there are dedicated researchers setting off into the blue in all weathers to study different species and populations around the entire coast of South Africa. This is principally conducted by aerial photography, isotopic DNA analysis from  samples as well as fin photography. Through identifying individuals, the researchers are able to determine the return of philopatric individuals, where previous calves were born and returned to their birth place to mate and give birth themselves. Humpack whales in particular are attuned to this cycle. They will take 3 years to recover from giving birth, as it’s a very energetic process. I’m pretty sure if I was that big and gave birth to a 4m, 1.5 tonne baby I’d be in no hurry for more…

To see whales in their natural environment has always again been a life-long ambition. Watching Sir David Attenborough documentaries, and seeing incredible camera operators such as the multi-talented and hardy Doug Allen and Diddie made me want to come into contact with these gentle giants myself. Ocean Safari’s made this possible with their coastal tours of Plettenberg Bay, they are the oldest whale watching tour guides on this part of the coast and offer discounts to volunteer students (was 800 rand, now to 500 rand which is around £25-27) for 3 hours of whale watching. You have different excursion times from 9:00am, 12:00 and 2:00pm daily throughout the whole week (weather dependent). So you should always call up if you want to have a tour and book it.

The boat names Fat Boy, after the local name for the Southern Right Whales

 

The different species of whales you can see include Southern Right, Humpack whale, Brydes whales, and bottle nose dolphins, common dolphin, sharks, cape seals and Orca! The possibilities are endless. The Captain of the Ocean Dafir’s was Marvin, who was an expert sailor- and I asked him how long he’d been sailing this particular vessel- and his response of 15 years assured me that we would be in good company and able to see and spot the whales. Our guide was equally qualified and friendly to us all. We had a quick safety briefing as usual and then headed off to the Plett central beach bay with our life jackets.

We were ready to set sail!

Thrash! We speed off towards the sea and jet stetted off towards the headland of Roberg where the Cape Seal colony resides. The weather had improved significantly compared to the previous day, although clouds did loom ominously in the distance. I had taken my trusty sea sickness tablet, Kwells, which I would recommend taking even if you “don’t get sea sick,” just because it give you that reassurance. I warn you, you WILL GET WET.

Do take a rain jacket if the company you go with doesn’t provide you with one. The sea salt will leave you looking like a shipwrecked drugged up model with sea salted hair but don’t let that put you off! It was glorious bouncing along the Indian Ocean, and being kissed by the spray peppering our face. As we approached the seal colony everyone grabbed their cameras and gasped at the extent of the Seals climbing abilities. These were apparently the highest climbing seal colonies in South Africa, some at least 40m above the progressively swelling sea that thrashed against the rocks, sending a jet of white foam into the air like flecks of white paint.

Above is Roberg, a fantastic place to hike and below the seal colony is visible as well as the whales and sharks!

  Posing for the camera! Cape Seals on the rocks. There’s a fantastic opportunity to “Swim with seals” which is run by the same company.

I’m not going to lie, I was a little perturbed by the size and progressive onset of swells that efficaciously emerged from the seemingly endless ocean- this was my first experience on a boat on a choppy day. I have previously been on a dolphin safari in Spain, but the waters were tame compared to this. As we bounced along the sea, we kept focusing on the sea horizon, and the reassuring words of our friendly guide who assured us we would see Whales, and to keep looking out for the spouts of spray. The humpbacks and Southern Right whales have the two blow holes from which they breathe when they surface.

Yes that is a helicopter drone you can see above the spray, they are being used now to take samples of the animals and take aerial photos- top class!

The sound they make as they breach is a characteristic “ptfffffffff” which is seemingly imperceptible amongst the sound of the waves and wind resonating through the hull of the boat. Everything seemed to be a Whale, every wave! After 30 minutes even I was beginning to lose hope and wish the trip was over as my stomach began to churn…but then I saw the cool waters break and an immense grey dark shape emerged from the depths and glided across the surface effortlessly, the afternoon light reflecting profusely along its streamlined body- it was a Humpack!

“Over there!” I gasped in awe.

The captain and guide then followed my hand signal to my surprise, was it a whale or did I imagine it? Nevertheless we sped on, and then there it was again, the spouting and the appearance of the whales back, this time accompanied by a miniature version of itself- a calf! This was a female travelling with its mother, perhaps one that had been born there and now off to feed. They did indeed seem to be hungry and moved with remarkable speed. I had no time at all to take photos, and so filmed everything on the GoPro. I would recommend the same. The water and spray could really damage your camera, and the Gopro on the selfie stick works wonders as a stabiliser.

We followed them towards the north and Roberg, and then were surprised to see yet another whale join us at the side, and fluked with its broad and knarred tail, slipping once more into the deep dark depths of the ocean. It’s truly was magical. Then to top it all off, one of the males breached and its immense body left the waters for seconds, water streaming down its muscular and colossal body, and then landed with an all mighty splash. Wow! We saw a few more sightings of the mother and calf, and I believe we saw up to 4 individuals all busy on their way to feed or mate…

And then all of a sudden as soon as it had started, it was all over, and the skipper had already extended our trip to get further views, and so we headed back past the seal colonies. I spoke to our guide about any BBC film crews that had shot in these waters, and apparently Dolphin Army was filmed off these waters! I mentioned my plans to film in South Africa as part of my final film project next year, and he said that they would be more than happy to accommodate students! Score!

So who knows, I may return to film some of these remarkable marine species in more detail the following year. But if you’re around Plett or South Africa in general, I can’t recommend a Whale Safari more highly, it’s one of those experiences that never leaves you, and it’s now made more aware of what we’re putting into our oceans. As part of the #BigBlueLive filming that will shortly hitting our screens on the BBC, I think it’s vital that we get behind our gentle giants of the oceans and keep putting pressure on our governments to create more marine reserves around our waters in the UK and worldwide. Happy Whale watching!