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Panasonic GH5 – A wildlife filmmaker’s dream?

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Hello everyone! It’s been a while since I wrote a single word on this blog as these past 6 months have been hectic- editing away for A Lion’s Tale, doing work experience on the One Show, BBC Wildcats, attending Wildscreen – and recently my own film premiere at the Everyman theatre! I’m officially a graduate MA Wildlife Filmmaker; time has flown and can’t actually believe the course is over now. I also managed to get some very exciting work at the BBC as a researcher for NHU digital, on Planet Earth II digital and now the Oceans projects – a dream come true (!) So much can happen in the space of a few weeks, Bristol is such an incredible city full of passionate creatives…

More of that later, but today I’m here to share my experience with the greatly anticipated Panasonic GH5, which has been released TODAY...

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At the beggning of February I had an amazing opportunity to try out the pre production GH5 model, which I was especially excited about. I had been reading different hybrid mirrorless camera specs, including the GH4 and A7S II; but then came across the GH5. If I could write a specs list as a wildlife photographer and filmmaker – this camera would tick them all! And whilst there are many of you out there shooting incredible films with FS7’s or RED One’s, this article is targeted towards those with much smaller budgets and the need to travelling light. I principally wanted my choice of camera to provide me with all the features that allow me to have stabilized, sharp images, 4K at 10 bit, variable frame rates to shoot in high speed and capture high quality, blue-chip style footage… and here it is! Not to mention the improved low light performance and compact body…

Here’s the tech specs for you to drool over:

Technical Specifications

  • 20.3MP Digital Live MOS Sensor
  • Venus Engine Image Processor
  • UHD 4K 60p Video with No Crop!
  • Internal 4:2:2 10-Bit 4K Video at 24/30p
  • 4:2:2 10-bit (DCI and UHD up to 30p + HD 60p) Firmware update summer/April
  • 400mbps All-intra (DCI and UHD up to 30p) Firmware update summer/April
  • Variable frame rate (up to 180fps in 1080p HD: )
  • 5-Axis Sensor Stabilization; Dual I.S. 2
  • 0.76x 3.68m-Dot OLED Viewfinder
  • 3.2″ 1.62m-Dot Free-Angle Touchscreen
  • Advanced DFD AF System; 6K & 4K PHOTO
  • ISO 25600 and 12 fps Continuous Shooting
  • Dual UHS-II SD card Slots;
  • Wi-Fi & Bluetooth
  • Improved low light
  • Hybrid Log Gamma (for HDR video)
  • Waveform and Vector monitors (for all you graders out there!)
  • Price:  £1699.00 (body only, UK)

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Sample shots

So enough of me gabbling on; here are some stills I took at Bristol Zoo and around the city, using the 100-400mm f/4-6.3 and  the 15mm Summilux  f1.7  Leica lenses:

duckDucks galore. 1/650 sec, f/6.3 with the 400mm Leica lens. 6K stills mode.

lions_edited_black_bkg4_curve_balanceLions lair. Shot handheld through a fence 1/650 sec, f/6.3, ISO 1600 with the 400mm Leica lens. Cloudy/dark conditions so had to increase the ISO as the min aperture was 4.

lion_ss_1Look into my eyes. 400mm Leica lens at 1/400 sec, f/6.3, 1600 ISO, manual

fur_sealSleeping beauty. 400mm Leica lens at 1/320 sec, f/4, 400 ISO, 6K stills mode.

fur_seal_MCU400mm Leica lens at 1/320 sec, f/6.3, 400 ISO, manual

red_panda400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

red_panda_2400mm Leica lens at 1/1000 sec, f/4.0, 1600 ISO, 6K stills

penguin215mm Leica lens at 1/500 sec, f/1.8, 200 ISO, manual

flamingo2.1400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

And now for cities!

test415mm Leica lens at 1/1020 sec, f/1.8, 200 ISO, manual

tes2sunrisemist15mm Leica lens at 1/3200 sec, f/1.7, 200 ISO, manual

boats_harbourside15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manualcranes_bristol15mm Leica lens at 0.65sec, f/1.7, 200 ISO, manualboats_towards_city15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manualcathedral CU15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manualtower15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual

So here’s my short little summary breakdown of the pros and cons (so far):

Pros

  • Incredible image quality. Both stills and video
  • Sharp 
  • Fast focus, cont focus very good with fast moving subjects (with a whopping 225 autofocus points compared to the GH4 which had just 49 of them!)
  • Dual IS was brilliant; everything was shot handheld!
  • Colours were vivid and realistic
  • Variety of functions and control
  • Viewfinder superb contrast and easy to use in combination with the screen
  • Screen: incredible quality and sensitive to touch screen capabilities
  • Solid feel, nice grip
  • Sound stereo actually good
  • 6K photo function
  • Ability to stabilise on a drone and shoot 4k 60fps
  • Price: Nearly $1500 cheaper than the A7S Ii, you can afford to splash out on a decent lens and not struggle
  • Compact: You get through customs without questions, as a ‘tourist’ and not draw attention with a large FS7 or FS700 without compromising on quality…
  • You can use this on a Movi for additional stabilisation
  • Ability to attach mics – interface with Panasonic’s optional hot-shoe powered DMW-XLR1 microphone adapter (for amazing sounding interviews!)

Cons

  • High speed grain. Quite noisy at 180fps, better at 120 when light conditions were good. An try and avoid using 1080 120 100mbps with a telephoto lens (if you’re using the 15mm 1.7 you’ll be fine as this is a nice wide, fast lens that gives you plenty of light).
  • 100-400mm manual focus not as smooth or intuitive as some of the Canon L glass (but you can get a speedbooster and mount for your Canon lenses)
  • Battery life; constant 4K shooting 3 hours and 15 minutes. Not mega efficient! But can get 2 and lasts longer than A7S.
  • Poorer performance at 3200 in low light, not good in darker conditions with telephoto, but superb with the 15mm

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What next?

Well, there’s a few things that I personally want to film with this revelatory new piece of camera technology. Exquisitely designed in terms of ergonomics and with the operator in mind – this is certainly one to watch for indie wildlife filmmakers who not only want to shoot stunning stills, but also enter film festivals with high quality films – all within budget. (Then you’ve got more to cash to splash on going out on location to exciting places!)

More soon with video footage samples in 4K and variable frame rates, as well as a more extensive guide on what each of the features allows you to do – but in the meantime, get down to your local camera store and try it out!

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ps: Me playing with a DJI Ronin! And soon the GH5…..

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Ocean Film Festival 2015 – Bristol

Having a Whale of a time

Saturday was the International Ocean Film Festival UK Tour at the rather splendorous Victoria Rooms- a regular concert hall for the students of Bristol University. What a fitting venue to showcase some of the worlds most inspirational ocean based films, from the icy expanses of the Arctic, the colossal depths of the pelagic Southern African oceans to the rip-roaring undulations of waves off the coast of Hawaii- this 2 hour plunge into the ocean will literally leave you gasping for air…

I chose to go to this rather than the opening of the Encounters Festival as I feel assessing your own response and emotions towards the films is far more valuable in terms of learning a great deal about what works within this industry. That and wanting to watch some epic shots of surfers, photographers and divers!

First up was the hugely gob-smackingly courageous and gutsy “The Fisherman’s son” filmed by Chris Malloy, about Chilean born surfer pro, Ramon Navarro– a son of a subsistence fisherman off the once sleepy shores of Punta de Lobo. His entire life path was shaped by the random kindness of a visiting surfer who had given him one of his old surf boards to practice on. So Ramon would head out onto the rough swells of the Pacific Ocean- the largest in the world… where his passion and connection with the Ocean fueled a gritty determination to explore the world. The journey of this gentle fisherman was captured with an assorted collection of local interviews as well as with his good pro surfer friends.The lighting during these was actually quite ethereal and intimate; capturing that sense of mystery about this once unknown fisherman.

He now has such a huge following that he uses this power to campaign against the development of his hometown- something which I hugely admire with any “celebrity.” I think the ability to use your voice as a vehicle to influence others when you have such a following is almost a duty, but more importantly it should be something that comes naturally, the want to make a difference in the world. ALL of the sequences of Ramos and his chums tearing down the jaw-droppingly immense waves are as remarkable as they sound… the elegance with which Ramos executed the anglelings, kick outs, aerials (dude yes, I’m down with the lingo), was exhilarating. The man would never fall off! He glided seemingly endlessly across the water, and with such ease that its a surprise that he hasn’t the nickname Jesus de Chile. Check out the film here:

Next up was a rather quirky short with a very talented sand artist, depicting the unseen problems and ignorant relationship we have with the ocean. He dashes his sand across his glass, and in an almost hypnotic way in rhythm to the music, where he then moves his fingers across to paint the picture. The destruction of our oceans through dredging, pollution and over fishing are just some the highlights of this short but powerful film.

The next film was a rather remarkable journey of a South African surfer who rose above a physical and mental tragedy of losing his ability to walk. It was the Ocean where he sought to take his own life, and yet the very place where by an inevitable twist of fate that he found it once more. He describes his difficulty in accepting his condition, and then this almost leading to his “collapse into the abyss”. And yet feeling the “strength” and “spiritual power” of the ocean is what led to him living a full and adventurous life, sailing his own boat solo across the Indian Ocean, meeting fascinating people and places. DevOcean is a real reminder of how EVERY individual has a powerful journey to make and its how their attitude towards life can be shaped by the natural world around us. Top short film.

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After a short break – with the light-hearted topic of contemplating the meaning life with a fellow course mate and friend, we returned to watch another repertoire of unbelievable stories created by indie filmmakers. Arctic Swell, although a short film, shows the incredible photographic talents and remarkable endurance of Chris Burkard and a team of surfers up by the freezing sub-zero temperatures of Norway. Nevermore so has the preconception of a typical blonde surfer with a bronzed tan and generally not wearing much been so overruled… deep within the Arctic circle, with wind chill and waves that carry seemingly endless pancakes of cobalt-blue icebergs are the team of dedicated explorers- keen to capture the majesty and beauty of this raw landscape. The colours are some of the most awe-inspiring I’ve seen, and the contrasts between the hues and tones makes his photography truly magical. Check out some of his incredible work: http://www.chrisburkard.com/

The next one was rather unusual and quirky, The Fox of Bloody Woman Island was about the unusual life of one Nordic traditional Viking boat builder- Ulf. Another short, this was certainly the weakest of the cohort, but nevertheless fun to watch the hilarious antiques of this solitary wild man of the woods. He certainly was a very talented wood worker, and incredible audaciously bold to skinny dip every day in the sharp, cold dark waters of the Nordic Fjords. A true Viking at heart! The next small short was quite extraordinary, the remarkable talents of young 6 year old Quincy Symonds, known as the Flying Squirrel. Growing up with health complications and yet being able to surf with extreme accuracy and flair really made for an inspirational story. I mean what were we all doing aged 6- starting to ride a bike? A hear-warming tale of the families journey through her health problems and overcoming them together…Little surfer was all very Disney like.

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Finally we come to the last film about Hanli Prinsloo, an ex-pro free diver, from Johannesburg. She certainly took our breath away with her outstanding ability to dive deep into the depths of the ocean, all the while gliding with eloquent grace like the marine beauties she so ardently seeks to film. Having had many years as a successful Pro Diver in the World Championships, she decided that taking a larger conservation role and enjoying the beauty and thrilling experiences that the oceans has offer was far more rewarding. Be prepared to see her diving with some of the worlds most incredible marine species- Mako, Blacktips, Blue sharks and dolphins! Ocean Minded was a fantastic way to end the stream of awe-inspiring films.

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Here’s a short clip of her reason for her love of the Ocean and her work with the Ocean Conservation trust.

All films had a remarkable inspirational and motivational message to get across, which was most fitting as my course friends and I are about to embark on our own journeys into the world of Wildlife Filmmaking. I really do feel so blessed and fortunate to be able to have this opportunity, not only personally to pursue a childhood passion, but hopefully to be able to make a difference to this most beautiful blue planet of ours.I hope you can join all of us on this exciting adventure and be prepared to see some incredible, staggeringly beautiful people, places and nature around the world!

Help support the ocean and go on a 2 minute beach clean!