Laos – the new Thailand. PORTRAIT & CULTURE PHOTOGRAPHY

Portrait/culture photography with the G9 and GH5

I recently went out to Laos on my first assignment as an ambassador for Panasonic to solo shoot a short film about the unbreakable bond between an 80-year-old mahout and matriarch elephant. Alongside the videography I took stills of the people, places and culture around this most beautiful and mysterious of countries – one that is so often overlooked in between it’s more popular cousins; Thailand, Cambodia and Vietnam. I can’t recommend visiting this ethereal and magical slice of Indo-Asia; it’s one of the few remaining Asian countries that can offer you a genuine experience of the culture without hoards of tourists. You can have precious moments to reflect without running into paparazzi or drunken party goers (yes, even in Vang Vieng!) So if you’re keen to learn about Laos and what you can photograph/do in the city and villages – look no further!

Humans – such a complex and fascinating species, and perhaps of all the animals that roam our vast planet. Over 7000 different languages spread over 7 vast continents, all 7.4 billion of us are as unique and beautiful as the atoms that make up our universe.

Without getting too deep and sounding rather philosophical, I am of course referring to the very nature that defines us as human – our intelligence, our curiosity, and our emotional capacity. These qualities are the very essence of humanity and is something we can all relate to – across all boundaries regardless of cultural, language and political differences.

Faces are incredibly expressive for a reason. There are 43 muscles in the face, most of which are controlled by the seventh cranial nerve (also known as the facial nerve). This nerve exits the cerebral cortex and emerges from your skull just in front of your ears. It then splits into five primary branches: temporal, zygomatic, buccal, mandibular and cervical. These branches reach different areas of the face and enervate muscles that allow the face to twist and contort into a variety of expressions. This is something I really love to capture when photographing people, I am inherently wildlife photographer but have been keen to explore what makes us as supremely evolved animals tick.

It can be trickier to photograph that moment in time where your person makes the smallest of expressions – which makes the challenge all the more enjoyable. In film you can shoot off speed and capture this more easily, I always shoot 50/60fps for people to highlight their subtle emotions rather than 75/120, the latter would only be in situations where my character is moving incredibly fast or for a special effect (usually in sports where you can go up to 2000fps). Again the eyes always draw me in because they are among the very first features we notice when passing by or meeting another fellow individual – so much can be read emotionally by looking into them. I mention looking into them – never at them, because this cuts you off from the persons true essence. I believe that a lot of portrait photography is about building trust, even if for a brief moment passing by, and ALWAYS ask for their permission!

So first a little history lesson; and yes I’ll make it a quick one I promise. It is of course the summer season! But you’ll want to know what you can do with that amazing camera that you got for your holidays, right? 😉

Despite it being one of the poorest countries in South – East Asia, one of the things you notice, is that nobody dies of hunger. This landlocked country is known as the ‘fruit/vegetable basket of Asia,’ and most families manage, not only to meet their needs, but even to put an important part of their small earnings to one side so as to participate in what small futile pleasures that make life enjoyable. Laos is a country of smiles, where composure and serenity reign and from where a sort of karma and an invigorating energy exude – from your local flower lady to the monks praying for our happiness. Laotians say that this special karma, was born with Laos, many centuries ago.

The Lao people (Hmong, Hill tribe, monks, Buddhism). With nearly 5 million inhabitants on an area half the size of France, Laos is one of the least populated countries in S.E. Asia (17 inhabitants per km2). Laos counts about 80 ethnical groups which can be grouped into 4 families. Each group speaking its own dialect and having its own customs, traditions, religion, etc.

Laotians have an easy-going, smiley and amiable character; and quite Latin (I’m half Spanish so just saying!) in that they generally prefer to take their time, the same as in their way of life, savouring each moment not overthinking or worrying about the future, unlike the hustle and bustle of other mega Asian countries or indeed our own. This is one of the things that decidedly give this country its exceptional charm, completely the opposite to the Vietnamese or even Thai restlessness – which is partly why I wanted to visit this staggeringly beautiful country. It’s so often overlooked for it’s more famous surrounding countries.

Whilst the Laotians primarily practice Bhuddism, Hmong people are traditionally animist, worshipping the spirits of their ancestors and the surrounding environment. Shamans (Ouanung) are called upon to communicate with the spirits, seeking their advice in moments of ill health and village adversity. It tends to be that a spirit is upset and offerings such as livestock are made at the spirit’s request. Most Hmong wear amulets around the wrist or neck to ward off bad spirits – and you can buy their amazing jewellery and hand crafted artisan gifts in the night market..

Every house has an ancestor spirit altar where food and water is placed to please them. During Hmong new year white paper is put on the columns of the house and a chicken is killed in their honour; and there were certainly plenty of them going around (waking me up at 3am every morning!)

Monks – it is estimated that about 1 in 3 male Laotians join a monastery for at least some period of their lives, ranging from a few months or years to an entire lifetime. Most novices enter monastic life at an early age, learning the ancient chants and sutras, while also attending a regular school with a curriculum similar to that followed by most young students around the world. For many children in rural areas of Laos, joining a monastery is the only available option for education. Life in the monasteries can be tough and some novices from remote communities are only able to visit their families once or twice a year. The young monks follow a strict daily routine, living communally, sharing food and daily chores.

 

Camera: G9

The low down on the G9 before we get technical; this camera packs a powerful punch in terms of features. From the 4K, 60P, 4:2:2 GH5 goodness that was released late last year (I’ve been shooting with since February 2017), came the photographic brother that boasts:

 

• No Optical low-pass (anti-aliasing) filter
• 20MP micro four thirds sensor
• ISO sensitivity from 200-25600.
• 5-axis Sensor-shift Image Stabilization
• 3″ Fully Articulated Screen
• 3680k dot Electronic viewfinder
• 20.0 fps continuous shooting
• Built-in Wireless
• 658g. 137 x 97 x 92 mm
• Weather Sealed Body
• 6.5-stop built-in image stabilization system
• 4K UHD recording in 24/25/30/50/60p.
• Full HD recording in 25/30/50/60p.
• Long GOP compression.
• 4K UHD 3840 x 2160 video resolution high-speed video recording up to 60fps.
• Full HD high-speed video recording up to 180fps
• CINELIKE D and CINELIKE V photo styles.
• Depth from Defocus AF.
• Mini jack input for an external microphone.

 

The Lumix G9 gets the same 20.3MP Micro Four Thirds Live MOS sensor as the Lumix GH5, which means that, as on that camera, there’s no low-pass filter. And if 20.3MP isn’t quite enough resolution for you, the G9 also features a new High Resolution mode, which outputs files at the magnificent equivalent 80MP. This works by combining eight images that have been taken in rapid succession, with small sensor shifts between each one, which means that, unlike with some rival systems, a tripod is a must when using this mode. Whilst I don’t use this mode because of storage  (the 20MP images are amazing enough as they are!) it’s a nice little feature to show off with. In timelapse mode you can go all out with this and pan/crop as far in as you want. The auto focus is ridiculously fast, even a cheetah couldn’t outrun this little baby feature and it’s one of the quickest on the market.

The double SD card slot means you can shoot jpegs on one card and RAW on the other which is quite handy when you decide if you want to keep the JEPEGs or vice versa.

Ergonomically I love this camera – the buttons sit right where you fingers rest where with the tip your finger you can zoom in before pressing the shutter button (a specialism of this model for telephoto users – hence why this is geared towards wildlife photographers). Also I’ve put this through its paces in the humidity when hiking to caves and through the leech, tick infected jungles (!) and of course the (light) rain – and it handled this well. On a more recent trip it handled the freezing constant rain too, was really impressed by its rigidly. 

There are of course video recording features like the GH5 but please bear in mind that this is not a video camera like its brother. So it has much less features but can still record both HD and 4K resolutions in MP4 format, 4:2:0 colour sampling and 8-bit colour depth, lacking the internal 10-bit capabilities of the GH5 so your video is noticeably more compressed. However, it is possible to record 8-bit 4:2:2 in 4K 30p via an external recording device, I’ve always got my trusty Atomos Ninja Inferno to do the job.

The responsiveness of the camera was perhaps the standout feature for my day with the G9. After over 2,000 photographs the battery was still going strong and the results were strong in almost every case when shooting a timelapse – so this certainly bodes well with wildlife photographers. All in all it’s a great stills camera more than a video one (go for the GH5 or its newer sibling the GH5s) – you should give it a go!

And now for a little more technical details with examples from my travels, each with a key theme to help you decide what and how to shoot on your next project.

 

Key factors to think about:

1. The light – I can’t begin to describe the beauty of this country in terms of light – it is ever changing and so incredibly awe inspiring words can’t do it justice. Play with it. Follow it. Bask in it.… use it as the ultimate tool to create images that capture the nature of your subject – human, animal and/or landscape. ALWAYS shoot in MANUAL for such images, as well as in RAW so you can also have as much fun in lightroom and Photoshop (just kidding it’s more fun actually being there…). Remember to adjust your variable ND if you’ve got one on.

2. Movement – we are by nature very mobile, with our physical movements to the way in which we live our lives in chaotic urban settings or indeed nomadic lifestyles in the countryside. Capturing that sense of movement is fun when you use different techniques – so here I wanted to shoot a timelapse at one of the many famous night markets in Luang Prabang to highlight this. Using the 3 axis shark slider mini you can programme the movement with the easy to use app – video of that up soon!

 

Shade – this helps with your tone and mood. A lot of black and white stills photographers will focus on the varying light and shade to get their feelings and message across – fear, love, joy, happiness, sadness, admiration, hatred, hunger, elation…. removing colour makes you think of how to tell your narrative in far more sensitive ways in a way similar to producers of B&W movies back in the 60’s would have directed their shots. Patience when using natural light to frame your subject is KEY!

Playfulness – this is one of the defining characteristics that makes us intelligent mammals. It is seen across the animal kingdom, from dogs, to horses, tiger cubs to humpback whales – and again is a universal motion that transcends boundaries (or species). I feel that as a photographer you certainly have an influence in bringing about this feature – although children are the easiest to capture with this emotion; as they are devoid of the adult tendencies to judge, criticise and generally be more grumpy!

Textures – peoples skin, their hair, their clothes say a lot about them as individuals. I don’t mean in a vain sense but you can gather a rich array of information about them as characters or background what they get up to and how they hold themselves. The culture in Laos as mentioned above is so incredibly rich and vibrant – it hits you with it’s sharp saturated colours, like those of a bold acrylic painting. I often think England  is the complete opposite, and draped in a sweet, soft glow and the light painting it in equally soft water colours. The food, dresses, festivals streets and of course magical temple offer this in glorified abundance. When first arriving in the Capital, Vientiane, my senses were overwhelmed by such a variety of colour, shade and patterns – all of which are a joy to capture.

The remnant French archways and colonial architecture among the hotels and homes, the soft, large shapes of the many fruits adorning the markets and of course the magnificent sharp, elaborate temples – of which the country has over 100’s. I was very excited indeed to go on my very first ‘temple run!’ Such exquisite colour – would be nice to see such comparably colour in our own churches and places of prayer. In this particular temple, one of the largest and most superlative in the city, I used the 12-60mm 4.6 lens with a 46mm Gobe variable ND filter. It was a bright, sunny day, and whilst I would have liked to capture it during the golden hours, I felt that it wouldn’t do it’s full colour spectrum justice. I also used the Panasonic 100-400mm lens for some closer details of the statues and patterns adorning the holy site.

Monks are of course a central part of the religion and culture in Laos, and something that I was especially eager to photograph. Again the bright, bold colours highlights the amiable and fun personalities of the locals, whilst the actual reason for their colour choice lies in ……. At first I’ll admit I was rather shy and reclusive at photographing them out of courtesy and etiquette – but then you quickly realise that all it takes is a smile and polite gesture to your camera to ask their permission… and 9/10 times you’ll find they are more than willing to have their photo taken. This one was taken at the same temple as above.

Here I was rather lucky to see a group of young monks walking along the mighty Mekong riverside front as I went out the first day to explore – the light was perfectly aligned with one of the tallest of the (collective noun for monks?) group. I moved myself into position from the opposite side of the road and so that I could frame the rather beautiful verdant green parasol against them as they paraded along. Again this was with the 12-60mm and I did use photoshop to tweak the highlights – but I can promise you that the colours were just as vibrant and enchanting.

 

Emotion 

I think this particular title is highlighted in all of the above mentioned – as texture, colour, shade all feed into our emotions and how we react to each image or film clip. It’s one of the most basic principals in cinematography and where the Director of Photography will work closely with the director to create a specific look and/or feel to the film. Photography also uses this principal and of course a lot of it can be touched up and edited in software later. This is quite often where all the magic happens (sorry to burst any bubbles – but I’m guessing many of you reading this are well aware of this!)

Washer woman cleaning off her dinner – people look so incredibly timeless in Laos, I could never tell how old she was.

So a handy little anagram for what to look out for when photographing people include:

H- humour: So this can work both ways. They can be (and this is most of the case!) laughing at you and find your odd demeanour and camera geekiness quite entertaining; don’t wait for the moment to pass – snap away and capture the moment!

U- unique: What’s unique about your subject (person)? Have they a standout feature, eye colour, beautiful smile, scar, long/short/frizzy/straight hair? Whatever is distinctive about your person, make sure to celebrate an honour it by making this one of your focal points of the image. It’s what makes us all special.

M – movement: Just slow down that shutter speed and experiment with your person, especially if they’re moving. Adding a little motion blur to your image can bring it to life and give you a whole different angle to play with.

A – activity: What does your subject do? Are they dancers? Crafts people? Artists? Scientists? Whatever it is they do, try to photograph them in their element doing what they do best – not only will this make them more comfortable, but you will certainly make the image more genuine and interesting to the viewer.

N – ature: Try to capture and set your human in their environment, their natural habitat that represents them. I really can’t emphasize this enough, a single image of a person in whatever comes naturally to them is key to capturing their essence.

My encounter with the people of Laos has been a magical one at that – their resourcefulness, peace and positivity reflects the equally majestic landscape where they are able to sustain and feed their families – securing a better future for all. Family is certainly a huge part of this country, and everyone plays their part in taking care of each other – with young girls cooking, cleaning and taking care of elderly relatives – with the men earning a living in the farms and wives working like wonder women in the rice paddy fields. For me the most surprising thing was seeing how happy they were compared to another poor country I recently visited, Kenya. I can now see and understand this to be partly due to the abundance of food which is far more readily available than it is in Africa. But also the spiritual belief and conviction they have that their Buddha/deity/spirit guide will help them live a prosperous life in the here and now – as well as the next should the reincarnation cycle not be broken…

Until the next post – all about the wildlife in Laos!

 

 

Panasonic GH5 – A wildlife filmmaker’s dream?

Hello everyone! It’s been a while since I wrote a single word on this blog as these past 6 months have been hectic- editing away for A Lion’s Tale, doing work experience on the One Show, BBC Wildcats, attending Wildscreen – and recently my own film premiere at the Everyman theatre! I’m officially a graduate MA Wildlife Filmmaker; time has flown and can’t actually believe the course is over now. I also managed to get some very exciting work at the BBC as a researcher for NHU digital, on Planet Earth II digital and now the Oceans projects – a dream come true (!) So much can happen in the space of a few weeks, Bristol is such an incredible city full of passionate creatives…

More of that later, but today I’m here to share my experience with the greatly anticipated Panasonic GH5, which has been released TODAY...

At the beggning of February I had an amazing opportunity to try out the pre production GH5 model, which I was especially excited about. I had been reading different hybrid mirrorless camera specs, including the GH4 and A7S II; but then came across the GH5. If I could write a specs list as a wildlife photographer and filmmaker – this camera would tick them all! And whilst there are many of you out there shooting incredible films with FS7’s or RED One’s, this article is targeted towards those with much smaller budgets and the need to travelling light. I principally wanted my choice of camera to provide me with all the features that allow me to have stabilized, sharp images, 4K at 10 bit, variable frame rates to shoot in high speed and capture high quality, blue-chip style footage… and here it is! Not to mention the improved low light performance and compact body…

Here’s the tech specs for you to drool over:

Technical Specifications

• 20.3MP Digital Live MOS Sensor
• Venus Engine Image Processor
• UHD 4K 60p Video with No Crop!
• Internal 4:2:2 10-Bit 4K Video at 24/30p
• 4:2:2 10-bit (DCI and UHD up to 30p + HD 60p) Firmware update summer/April
• 400mbps All-intra (DCI and UHD up to 30p) Firmware update summer/April
• Variable frame rate (up to 180fps in 1080p HD: )
• 5-Axis Sensor Stabilization; Dual I.S. 2
• 0.76x 3.68m-Dot OLED Viewfinder
• 3.2″ 1.62m-Dot Free-Angle Touchscreen
• Advanced DFD AF System; 6K & 4K PHOTO
• ISO 25600 and 12 fps Continuous Shooting
• Dual UHS-II SD card Slots;
• Wi-Fi & Bluetooth
• Improved low light
• Hybrid Log Gamma (for HDR video)
• Waveform and Vector monitors (for all you graders out there!)
• Price:  £1699.00 (body only, UK)

Sample shots

So enough of me gabbling on; here are some stills I took at Bristol Zoo and around the city, using the 100-400mm f/4-6.3 and  the 15mm Summilux  f1.7  Leica lenses:

Ducks galore. 1/650 sec, f/6.3 with the 400mm Leica lens. 6K stills mode.

Lions lair. Shot handheld through a fence 1/650 sec, f/6.3, ISO 1600 with the 400mm Leica lens. Cloudy/dark conditions so had to increase the ISO as the min aperture was 4.

Look into my eyes. 400mm Leica lens at 1/400 sec, f/6.3, 1600 ISO, manual

Sleeping beauty. 400mm Leica lens at 1/320 sec, f/4, 400 ISO, 6K stills mode.

400mm Leica lens at 1/320 sec, f/6.3, 400 ISO, manual

400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

400mm Leica lens at 1/1000 sec, f/4.0, 1600 ISO, 6K stills

15mm Leica lens at 1/500 sec, f/1.8, 200 ISO, manual

400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

And now for cities!

15mm Leica lens at 1/1020 sec, f/1.8, 200 ISO, manual

15mm Leica lens at 1/3200 sec, f/1.7, 200 ISO, manual

15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.65sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual

So here’s my short little summary breakdown of the pros and cons (so far):

Pros

• Incredible image quality. Both stills and video
• Sharp 
• Fast focus, cont focus very good with fast moving subjects (with a whopping 225 autofocus points compared to the GH4 which had just 49 of them!)
• Dual IS was brilliant; everything was shot handheld!
• Colours were vivid and realistic
• Variety of functions and control
• Viewfinder superb contrast and easy to use in combination with the screen
• Screen: incredible quality and sensitive to touch screen capabilities
• Solid feel, nice grip
• Sound stereo actually good
• 6K photo function
• Ability to stabilise on a drone and shoot 4k 60fps
• Price: Nearly $1500 cheaper than the A7S Ii, you can afford to splash out on a decent lens and not struggle
• Compact: You get through customs without questions, as a ‘tourist’ and not draw attention with a large FS7 or FS700 without compromising on quality…
• You can use this on a Movi for additional stabilisation
• Ability to attach mics – interface with Panasonic’s optional hot-shoe powered DMW-XLR1 microphone adapter (for amazing sounding interviews!)

Cons

• High speed grain. Quite noisy at 180fps, better at 120 when light conditions were good. An try and avoid using 1080 120 100mbps with a telephoto lens (if you’re using the 15mm 1.7 you’ll be fine as this is a nice wide, fast lens that gives you plenty of light).
• 100-400mm manual focus not as smooth or intuitive as some of the Canon L glass (but you can get a speedbooster and mount for your Canon lenses)
• Battery life; constant 4K shooting 3 hours and 15 minutes. Not mega efficient! But can get 2 and lasts longer than A7S.
• Poorer performance at 3200 in low light, not good in darker conditions with telephoto, but superb with the 15mm

What next?

Well, there’s a few things that I personally want to film with this revelatory new piece of camera technology. Exquisitely designed in terms of ergonomics and with the operator in mind – this is certainly one to watch for indie wildlife filmmakers who not only want to shoot stunning stills, but also enter film festivals with high quality films – all within budget. (Then you’ve got more to cash to splash on going out on location to exciting places!)

More soon with video footage samples in 4K and variable frame rates, as well as a more extensive guide on what each of the features allows you to do – but in the meantime, get down to your local camera store and try it out!

ps: Me playing with a DJI Ronin! And soon the GH5…..

Burning Kenya’s Ivory: A 360 perspective & CITES 2016

6am. Adrian was still asleep, I was praying that he felt better after his terrible bout of sickness…. to no avail. I felt so bad for him, that he couldn’t share this moment with me as a friend, filmmaker and fellow conservationist. Today was the largest Ivory Burn in history- 105 tonnes of ivory and all of Kenya’s leaders, wildlife activists were ‘joining the herd’ in Nairobi National Park to stand up against the illegal wildlife trade that has caused over thousands of elephant deaths due to the simple sake of man’s greed.

Heavily guarded ivory, the Kenya Wildlife Service Rangers on patrol. 

However….

Rain…rain…not so beautiful rain! It HEAVED it down, the ground was quickly assimilated into a large soup bowl of red earth. My already worn out boots seemed to cling to the ground like roots. We had to queue outside the National Park gates and collect our press passes, much to my horror mine wasn’t there, but I was reassured when I had my UK Journalism (NUJ) Press Pass and the brilliant Tim Oloo to help us by pass the armed KWS rangers (the novelty of people with AK-47 guns hadn’t worn out..)

They searched our pockets and bags for any explosives (I certainly didn’t fit the bill), and we were ushered into a packed mini-bus to drive us through the park in safety. Journalists, reporters, filmmakers and conservationists clutched their camera gear and tripods with gusto as we bumped along the muddy path. It felt rather like we were entering Jurassic Park inside one of their vehicles with its dense scattered Acacia bushes and thick highland trees.

We then we piled out of the bus as we arrived at the site we had done before on the 28th, and once again went through security with all our kit. Droplets of rain began falling, just teasing us as we hauled our kit across the already quagmire site.

The press stands were soon filling up and I bagged two spots with my tripod for good measure. Rather than on the journalist podium, I placed it just offside where a direct shot of the flames and president could be had (we’re talking photographic terms here, not actual shooting!) Then it began raining lions and hyenas…and I schlumped my way across to the press tent…which was like a rather nice watering hole– not the like where you could find drinks but the literally the ground meant your calves were submerged. I got the kit to high ground and worked out a plan of action. Wides and close ups on the tripods with the 200-400mm lens, and roving with the 17-200mm kit lens on the shoulder rig. Tim and Will were busy liaising and so all we could do now was wait for instructions and people to arrive. To say I was excited about seeing Leonardo Di Caprio was an understatement…. I wondered if Elton John would be coming too?

©Tania Esteban

 ©Tania Esteban

 ©Tania Esteban

 ©Tania Esteban

©Tania Esteban

©Tania Esteban

© Tania Esteban

 The rain at the ivory burn event, Nairobi National Park. Press avoiding the rain 8:45am, 30th April, 2016. © Tania Esteban

 

Being among top journalists from around the world made me laugh and smile, I was nothing if not a minute fly in comparison to their expertise… but I felt thrilled to be among them and curious as to what camera equipment they would be using. A lovely guy from the Huffington post asked me about my Richo Theta camera I was using and showed him my model, his was the updated grey version. Everyone wanted to be part of the new trend! Well I only saw two other people with one, so check out my 360 videos for some exclusives!

I thought I’d leave some of the kit back in the little white tent opposite the main presidential one, and follow Will. Again the floor wasn’t any better here. Heels would not be useful for any dignitaries! There I saw Will talking to Charlie-Hamilton James! One of my fave wildlife photographers, I was very excited to introduce myself and ask about his recent trip to film for Disney Nature. He told me he had just come from filming lions in the Mara, and I told him about my own film I was wishing to find in Meru. Then I bumped into Michael Owino, a local Sound Technician who offered to hold an umbrella for me in the rain- thanks Mike! He was such a help, I managed to get a few steady shots of officials as they prepared the ivory and rhino horn for the main event.

SO much was happening at this point (11am), and many journalists were beginning to set up and capture the events. Also bumped into Ian Redmond, Born free ambassador and Ape Alliance chairman who actually put me in contact with Will about the film, I owe pretty much the entire trip to him- thank you! He was busy filming for the BBC’s new exciting series (more revealed soon!) and I happily agreed to shoot an interview with him for it. So whilst milling around in the mud inside the tent, we shot outside when the weather cleared up. Ian was piece perfect and hit the key points, balancing the emotional and logical science on the issue.

Ian Redmond at the Ivory Burn talking to Ian Douglas-Hamilton. ©Tania Esteban

After that I went celebrity spotting! Was quite fun and I did see Kristine Davis who is an ambassador for the Sheldrick Trust (Sex and the City!), the modern lion man himself Kevin Richardson, and I met legendary wildlife photographer Jonathan Scott! Was such an honour to meet him towards the end. Also another of my conservation heroes Iain Douglas-Hamilton! I shook his had with enthusiasm before I realised they were covered in mud…I apologised profusely but hopefully he didn’t seem to mind, I doubt that a bit of mud will perturb this great man, father of one of my heroines Saba Douglas.. what I wouldn’t give to roam around Samburu bear foot and searching for elephants.

Actress: Sex and the City star Kristin Davis, who is a patron of the Sheldrick Wildlife Trust.

Kevin Richardson, the  modern Lion Man himself at the burn.

Anywho! I also filmed the legendary Dr Richard Leaky as he walked among the crowd and then approached the main ivory pile. Then it was time to film the events going on inside the tent. I bumped into my new friend Michael as he was setting up his C300 onto the stage. There were dancers and performers as well as upcoming rising eco warrior, actor and musician Luca Berrardi, aged 12 he has accomplished many great things in Kenya, raising awareness about the plight of their wildlife. Check out his twitter profile.

Then after a few more roaming shots I decided to head out and capture the president when he came out to the podium outside. Journalists were clearly thinking a similar strategy…and we all crammed together in mud like penguins looking lost. The ivory gleaned in the afternoon sun, wet from the mornings downpour. Thank goodness I had placed the tripod earlier! Long lens on one camera, the other with the zoom…we were ready for the president and the lighting of the ivory. In the tent the words ‘Worth more alive” echoed in our ears, its staggering to think of the mindless bloodshed because of mans greed. Virginia herself quoted that ivory carvings represent”little symbols of death.” Charlie Hamilton-James and Jonathan Scott also lined up alongside us to capture that perfect shot of the president lighting the ivory pile- the symbol of Kenya’s strength and determination to eliminate the horrific trade as well as all others (including lion body part trade).

Jonathan Scott at the Burn site, ready to take photos of the president. ©Tania Esteban

The president made his way along the muddy path and took questions from the press, I filmed away in awe of what I was witnessing. Kenyatta then lit the ivory and to our disappointment there wasn’t much of an all-explosive-light-up of the pile; a rather puffed out cough of smoke. But soon enough the smoke billowed and the flames grew

Surrounded by the world’s media and press, all eyes on the president. ©Tania Esteban

Billowing smoke as the president looks on and the world’s media. ©Tania Esteban

 

President Kenyatta taking questions at the ivory burn. ©Tania Esteban

The flames were flickering up towards the heavens as the light fell, and a silence fell upon all of those witnessing this momentous spectacle. 105 tonnes of ivory, 6000 elephants…generations of elephants wiped out because of the simple sake of mans greed. I often reflect upon humanity, and my own existence as a human because of the terrible atrocities many people commit. The smell was overwhelming, a mixture of kerosene but more prevalent still the smell of death…burning carcasses and bone of once living creatures. The sound of the cracking of the ivory was equally powerful, and the burning hiss that resonated across the field. And then the carnage….

We all literally legged it as soon as the tape was removed to get the first shots of the flames up close an personal, the solemn meaning of the event was temporarily forgotten. But first there was a ditch to cross…

Not pleased with the ditch to cross…its deeper than it looks!

A solemn moment…Very privileged to have been given access to film but equally overwhelmed by the numbers of elephants slaughtered.

Once over the rangers patrolled the ivory like rottweilers with rifles, their heavy boots sinking into the ground, and posing for eager photographers. You could really feel the heat coming from the 11 stacks, the smell billowing away into the inky darkness…

I continued to film and photograph away, staring in awe at my surroundings. A drone engine suddenly pierced the air and we looked up to see an Inspire capturing a unique view of the burn, something we all would want to shoot! Check out the video by Barny Trevelyan-Johnson.

Here’s me in a 360 video filming at the front where the piles are burning, don’t forget to pan around!

Filming at the ivory burn was a privilege, I was happy to be there to document this as a my first proper shoot, but I felt truly overwhelmed by what I had seen…

10 tonnes each; up in flames….On the tusks are individual identification names, with information regarding the origin, weight, elephant sex, age and herd.

The haze moving in, the smell was very powerful.

After capturing further shots I was the introduced to another one of my heroes, Jonathan having seen him photograph all day, and Ian Hamilton. What a privilege. Also saw the fabulous News anchor/presenter for NTV Wild, Smiriti Vidyarthi there interviewing Patrick Omondi and the KWS officials.

And so dear readers, the emotional rollercoaster of a day came to an end, and Will, Ian, Tim and myself readied ourselves to leave the sight…one last GoPro video….

But before you go, remember that THIS September  over 180 countries will convene in Johannesburg at the CITES meeting to decide the fate of lions and elephants– to upscale the protection afforded for lions and ban the illegal wildlife trade in ivory. Hong Kong’s chief executive C.Y Leung recently stated that they would attempt to phase out all trade in of ivory. Others are yet to act. In fact Zimbabwe and Namibia are planning to ask CITES to approve new legal sales of ivory – a dreadful idea.

SO..

Keep the FIRE BURNING…share on Social media, tweet, Facebook, Pininterest, about how YOU CARE about the fate of not only elephants, but ALL wildlife. In the next 30 years they could be gone forever. The greatest threat however is habitat destruction and this is something I will be addressing in the next few blog post. In the meantime, have a look at this clip by Wild Aid at the end of this article and start talking to your world leaders and politicians to act!

Also some of my ivory burn footage can be seen here in a preview of A lion’s Tale! See what you think (at 1:43 min in):

The ONLY way 2 save elephants is to KILL the ivory trade. #JoinTheHerd & tweet your leaders: https://t.co/LNWWNrI9M2https://t.co/Y870s4fEKQ

— WildAid (@WildAid) June 22, 2016

 

 

Day 2: Born Free office Nairobi & Will Travers

Today we filmed another 3 interviews with the fantastic Born Free Kenya staff for the 30 minute version which I’ll be cutting for them. It was fascinating to see behind the scenes of one of the busiest wildlife charity offices in Africa…and yet the scene inside would suggest otherwise.

Bliss in the office compared to the hectic streets of Nairobi!

We were pretty overwhelmed from yesterday- I went to bed that night with scenes of ivory towers and AK-47 assault rifles swimming towards me in slow-motion. The smell of death was also pretty horrific; over 6000 elephants were killed for their ivory, and each pile of ivory equated to 100 tonnes.

10 tonnes of ivory per stack, representing the death of countless numbers of elephants.

So today we interviewed Tim Oloo, the country manager of the Born Free Foundation. He’s been working with them for over 2 years now, having previously worked for KWS as a senior scientist (5 years) and Serena lodges. His undergrad involved extensive research on Rhino’s in India, which he spoke about fondly. He clearly has hope for the future of Kenya’s wildlife and is supporting the efforts of both KWS and BF. We decided a nice set up outside would reflect his love of the outdoors and also avoid the troublesome tungsten lights inside. However the streets of Nairobi weren’t helping- what a noisy city!

Nevertheless, we pressed on, asking some passerby’s to be a little quiet for the interview, and we began. I sat as close to the lens as possible in order to achieve a nice eye line. The prime lens as a second camera was lovely…100mm will never let you down, beautiful bouquet. The wide shot was equally pleasing!

Timothy Oloo of the Born Free Foundation

Next up was Phoebe, our logistical angel and office manager. She has been the point of contact in Kenya in term of getting hold of Victor, booking the hotels, sorting out the whereabouts of our stay and getting around in the Born Free Landrovers. We then filmed around the beautiful grounds of the BF office, with hundreds of butterflies frolicking, cavorting and mating in a an aerial orgy- spring had certainly sprung here. In this sense there is no spring as Nairobi is remarkably close to the equator. managed to film a butterfly mating in mid air- truly magical!

The Nairobi Born Free Office

Got to love a slider shot…

Filming rain #DoesntGetMoreExcitingThanThis

We then headed into town for some lunch, Pizza for Adrian and a salad for me! I must say its quite weird to be stared at so much, but then again there aren’t that many visitors that are white to this area so I guess we must appear to stick out like warthogs in Wyoming. It then started to heave it down, so we retreated to to the office and filmed some slow motion droplets. I think Will is finding my obsession with the technique quite humorous. Got some nice slider shots of 3 life-like model statues too…roaaarrring success….

First shot of lions- right here in Nairobi!

Then off to our lovely hotel (House of Waine), where we decided we had to find a sound proof place to interview Will…we struggled enormously… the rain was making such a racket on the ground but we had to do it today as tomorrow is the Ivory Burn! No time! SO we were helped by the lovely staff to find a quieter room upstairs. It was still rather tricky though I must say….however in such circumstances you have to make best use of what is available. We even had thunder…However Will was a master at answering all the questions, he truly is a professional and made our job a LOT easier. Huge thanks to the helpful staff at the Hotel!

After that we joined him for dinner in the lovely restaurant. If coffee is your thing, then make sure you get it in Kenya- such a delicious earth blend. No idea what I ate, some sort of tomato/potato bake which was rather delectable. Over dinner we chatted away and listened to Will’s fascinating encounters with people at the plentiful occasions where he attends major events/meetings/conferences around the world. What a life he has had!  After that we headed to bed, but then DISASTER….

Adrian lost his potatoes…

 

LITERALLY..he was THROWING UP everywhere bless him! And worse…despite my best attempt to give him immodium and electrolytes, he just wouldn’t hold anything in. We reckon it was the pizza. I was feeling comparatively fine, but terrified at the prospect of taking him to hospital. His condition improved after getting rid of whatever his body was rejecting, but he was very weak…I don’t think he will be able to come to the burn like this, there is no way he can hold a camera feeling this ill..

I’ll have to go to the IVORY BURN ALONE tomorrow..…

With the shot lists, batteries charged and storyboards in mind, wish me luck!

 

 

Natural wonder: Sir David Attenborough

Happy Birthday Sir David Attenborough! As I am sure we all know, last week marked this great mans’s 90th; a person who has more than anyone changed our relationship with the natural world, enthusing countless generations to appreciate the variety of life on our planet. His dedication, passion, relentless enthusiasm has undoubtedly inspired more people in our world to care and want to make a difference. I certainly am on this pathway because of him as well as other incredible individuals (including my mum!).

SO what makes him our natural treasure?

 

1# His enthusiasm

From collecting fossils as a child in Leicester, to loving creatures big and small, ugly and beautiful, his appreciation for all animals is why we love him so. He even says he is no animal lover, much to the bewilderment of many. However he is the ultimate curious intellect and shares a fascination for all of nature, and not the gushy anthropomorphic rantings of a bunny hugger…

2# His knowledge

Not only has he racked up 32 honorary degrees from Universities across the country (more than anyone else), but having studied natural sciences at Cambridge then Anthropology later…his knowledge of all living creatures and the biological, chemical, physical process that govern them is second to none. Go on, ask him a question!

3# THAT voice.

His dulcet, hushed tones, as well as powerful vocals mix into just about the most recognizable natural history narration voice of all time. David = Nature God. His warmth and clarity both hooks and fascinated you. I think I’ve spent most of my waking life listening to his voice either through the television or radio podcasts. I’m even starting a petition for a David Attenborough Tom Tom guide…

“..And here, we have the Lyre bird…”

4# Humble by nature

Despite his numerous awards, degrees, honours..he still remains a humble and grateful being…he loves economy class and never forgets to greet or thank you…

5# He’s been there for you: in B&W, Colour, HD, 4K, 3D and 360 baby

He is the only person to have produced television in B&W, Colour, HD, 4K, 3D and more recently with his VR dinosaur 360 video clip. He’s so with it  even us youngsters have to keep up with him. I reckon a holographic projection David will be available soon…

6# Impact

Sir David Attenborough joined the BBC as a trainee in 1952, and his early career included the highly different television debate programme, Animal, Vegetable, Mineral? But his audaciaous and determined nature meant that he wanted to show audiences new ways of making films and a life outside the television studio. The result was the hit series ‘Zoo Quest,‘ which combined live studio presentation with footage shot on location for the first time. He made us CARE about the natural world through education and entertainment. 

7# He’s SO quotable

A master of verbal carpentry, his written scripts result in some memorable quotes, here are my personal faves;

“A hundred years ago, there were one and a half billion people on Earth. Now, over six billion crowd our fragile planet. But even so, there are still places barely touched by humanity.”

“Our planet may be home to 30 million different kinds of animals and plants. Each individual locked in its own life-long fight for survival.”

GO on, give us another…

8# His wicked sense of humour

We’re no stranger to his witty, whimsical and wicked sense of humour. He’s been asked onto several major chat shows more than twice and his gentleman like attire and charm  is irresistible. Even Cameroon Diaz can’t get enough of our David! More recently during an interview on BBC Radio One, Sir David was asked to narrate the video for Adele’s new song. He even gave it the trademark Attenborough voice-over.

“Like all pop stars, she needs to hunt to survive,” he begins. “The lesser spotted Adele is about to be everywhere again.”

9# He’s travelled more than anyone in history

Since his television career back in the 1950’s he started travelling around the world, and is now the most travelled person in the HISTORY of mankind...that’s some impressive migrating. It seems his life has been perfectly timed where he saw the world in its former pristine self… And so he’s not only just seen more wildlife, people and places than anyone else but also witness the greatest amount of change than anybody who has ever lived.

10# He’s simply the best #WishYouWereMyGrandad

All that said, we simply love him because he is our natural treasure and we all want him to be our grandad…he started the beginning of natural history filmmaking, and still is an amazing filmmaker and producer in his own right…love you Dave’s XOXOX

 

Here I write about my own encounter with the lesser spotted David, over 2 years ago…..

It was 6am, Spanish time. And yes, it was the summer, BUT Sir David Attenborough tickets were on sale for his lecture on Alfred Russell Wallace in Cardiff New Theatre! I was poised with my mouse cursor ready to buy a ticket after refreshing the page… then to utter dismay all the tickets had sold out after 2 minutes of pending. I was overwrought. It happened by coincidence that I had a week long field trip to Dale Fort, in Pembrokeshire on the 18th September, and the very same day that David was giving his lecture, and so I had to book a ticket! So I put my self on wait list and hoped for the best. After a week, forgetting that I had even applied, I received an email saying I had 2 places to book tickets-result! Booked them instantly….then I thought about actually getting there.

 

So bunked off the uni bus journey to go and see my hero- and the reason why all zoologists study their degree… so a pretty good excuse! It took 7 hours in total to get to Cardiff Central, with various stop-offs. Wasn’t cheap getting there but I had worked as a student ambassador to get the money. Went with a friend, and we went for a coffee opposite the theatre at 6pm to await the arrival of the greatest wildlife broadcaster to have ever lived…That hot chocolate tasted so good! I was positively jubilant! I could not contain my excitement as soon as I had received the lecture brochure and meticulously read through the talk. Then we walked out of the coffee shop, and at the same time a dark Mercedes tinted windowed car pulled up alongside the entrance, where he stepped out…I almost fainted on the spot then and there… He had entered the building!

 

When we got our seats, which were at the very back, (so we could go out and catch the train we had booked to go to Milford Haven, then to our field trip location) and then as Sir David entered there was a sudden gasp from the audience, followed by a rapturous applause! It was a fascinating lecture all about the great Alfred Wallace, and his humble beginnings and shear enthusiasm for adventure really. Some really hilarious clips and gestures by David, absolutely brilliant, wish all lectures were like this! Before I knew it, it was question time, I was the first to put up my hand, but sadly, at the back I wasn’t noticed until the end when they ran out of question time. They even handed me a microphone, at which point my legs had turned to jelly. After that, we had to rush out to get our bags and then run for the train, only just made it! Onwards to Dale Fort for our own adventures (and a lot of hard stats and collecting data from the field!). However, I did send him a long letter including the question I so wanted to ask, which was,

“Out of Darwin, Gregor Mendel and Wallace, who do you believe has contributed the most to society.”

He answered back too! His letter takes pride of place on my windowsill, (next to my fossil Archaeopteryx). I think its wonderful that a man who is so busy would even take up his time to read his fans letter, he truly is a remarkable, special man, and I am honoured to have seen him at his lecture and be alive during his lifetime- Thank you David- and may you long keep making Natural History programmes!

A Lion’s Tale

As many of you know, I have been off filming in Kenya as part of my final Master’s film for the UWE Bristol-BBC course. Here is a little more background to the story before I start blogging the exciting events that happened during the trip!

Please check out more about the FILM here:

https://www.indiegogo.com/projects/a-lion-s-tale/x/11469504#/

 

Synopsis

2016 is The Year of the Lion that will honour the 50th anniversary of the film Born Free. A story of true determination, passion, love and drama – it is one of the most successful conservation stories ever told all. This film will be presented by Virginia McKenna, the actress turned wildlife activist as she tells us about her journey to protect the lions of East Africa and introduces us to the team of rangers currently working in Elsa’s heartland, Meru National Park. Led by Virginia’s son, Will Travers and the charismatic Victor Mutumah (Game warden of the Kenya Wildlife Service), we see first-hand how the threat to lions has never been so pressing.

Wildlife activist Virginia McKenna; actress turn conservationist

Meet Victor Mutumah: chef extraordinaire and wildlife conservationist or Born Free.

OBE Will Travers: son of Virginia and Wildlife activist, president of the Born Free Foundation. Shown here at the major Ivory Burn event we attended.

Why now?

Their numbers have declined by 90% since the making of the film, and the recent lion census has revealed that in Meru poisoning, snaring and hunting is threatening the last remaining populations of the original lions raised by George Adamson. As the team search for answers across the dramatic landscape, it ultimately leads them to the local Borana people whose livelihoods are equally at risk from these majestic predators.

Without urgent action, lions could become extinct into the wild within our life time- as currently there are less lions than rhino in the wild…

Can the team help convince the new generation of children of the value of lion? Will they change from hunters to conservationists? Will Virginia’s lion legacy be felt in the true heartland where it matters most?

Where?

Our documentary will take place in the heartland of the Born Free story, in the little visited and utterly unspoilt Meru National Park where the Adamson’s released Elsa the lioness into the wild. Steeped in history, few places are comparable to the remote and rugged atmosphere found here with a vast range of habitats, criss-crossed with 13 natural rivers. From the majestic lion and the minute naked mole rat – it truly is a landscape of contrasts.

Virginia McKenna

Despite being at the peak of her career, the film and all it still stands for changed her life…It’s powerful message stayed with her after the film and so she gave up Hollywood and began a lifetime of campaigning across the world to save animals from commercial exploitation, imprisonment, cruelty and the loss of their natural habitat-focusing relentlessly on her personal mission with the Born Free Foundation.

The Story

In the beginning we meet Virginia McKenna, actress turn conservationist as she introduces us to the Born Free film she was involved with, and shares the impact it had on her. Through a series of interviews and cut aways to archive of the Born Free Film, we gain an insight into why lions are important to her, her relationship with them and what the Foundation is doing as part of their campaign to halter their startling decline….

We then journey to the homeland of Elsa the lioness and the heartland of Joy Adamson- Meru National Park. Virginia’s voice guides us though a remarkable raw landscape in the foothills of Mt Kenya with its herds of zebra and elephants, home to the descendants of the original lions from the film. Here we meet Victor Mutumah of the Born Free Foundation and the rangers who fight tirelessly against poachers and bandits.

The reality of what’s causing the lions decline is revealed in the field as the rangers track down snares and traps.However the main cause is shown as human populations encroach further into lion territory this often leads to human-wildlife conflicts and a fragile relationship between lions and locals. Is conservation on the agenda amongst the local people? An interview with a local farmer from the Meru tribe gives us an insight into where this stems from, and what is really thought about conservation.

What does Born Free and the KWS need to do to change their views in on one of the last strongholds of lions in Kenya before its too late?

Born Free and the KWS attempt resolve this conflict by reaching out towards the community and giving them the tools to become conservationists. With the Global friend’s programme, they educate the next generation of lion guardians about the value of lions to their culture and livelihoods. By focusing on environmental education and benefits to human communities; Global Friends encourages communities to find their own solutions to human-wildlife conflict… As well as this, de-snaring operations and research are helping to reduce conflict and enable a better understanding of the last remaining individuals in the park. However the threats are very real to the rangers, who need to protect themselves as well as the lions they so dearly care about.

On the final leg of the journey, we meet Virginia’s son, Will Travers as he journeys to the Ivory Burn in Nairobi National Park; the largest in history, and a symbol of hope to tackle the ever increasing rise in the illegal ivory trade and of all of Kenya’s species.

But will this be enough to change people’s relationship between lions to a positive one? Is there hope for the future of Kenya’s lions?

 

 

The Impact

On completion of this film, it will be screened at the BBC Natural History Unit this September 2016, a day of great celebration for everyone involved in the project and YOU at home for making it a reality. Then it’s off to the Film Festivals around the world! Virginia’s Lions could have an impact on raising awareness about the plight of lions and encourage protection from commercial trade at the 17th COP convening with CITES in Johannesburg, South Africa.

The Born Free Foundation since its creation in 1984 originally with Zoo Check, it has raised over millions and grown into a global force for protecting and rescuing wildlife. It is working harder than ever with local communities to give them right conservation tool, with its personal passion for wild animals and desire for positive change remaining at the heart of the foundation.

Resolution?

Virginia’s message of hope is an inspiration to us all, and something which all humans share. I hope to raise awareness about the plight of lions through my film, but also celebrate the story of Virginia McKenna and the Born Free Film which changed her life. This story is unique in that Virginia is not a scientist, nor a local Kenyan…but someone who has a deep passion and connection to the place and the wildlife around her. We will ultimately decide the fate of lions, and so let us chose hope and rally with Born Free to ensure the next generations will see this remarkable iconic species in the wild for themselves.

Photo credit: The amazingly talented Robyn Gianni took these photographs and is allow me to use them for the film! Check out her incredible work here:

 

Trailer: https://vimeo.com/163647394

 

Ivory Burn: A day before Kenyan history

First day shooting in Nairobi was remarkable…incredible…fascinating and overwhelming. We had been given special access by the passionate Tim Oloo, country manager of the Born Free Foundation along with Will Travers, president of this most unique of wildlife charities. I have never felt so stimulated and thrilled; as we drove down the dirt track through the Nairobi National Park, a remarkable sight met us.

Ivory Burn preparations in Nairobi National Park. 105 tonnes of ivory is going to be burned on the 30th April, with the worlds eyes on Kenya.

Me filming at this most overwhelming site.

Adrian filming the wides at the Ivory Burn site in Nairobi.

There were 10 enormous stacks of 105 tonnes of tusk that pointed towards the foreboding darkening skies. A storm was brewing, and the worlds media were preparing for this most monumental of events. The Kenyan authorities have been preparing to burn not only the ivory but also the pelts of wild animals, seized sandal wood all to highlight their determination and dedication to eradicating this most abhorrent of acts. Armed Kenyan Wildlife Service personnel prowled among the gleaning white teeth of over 6000 elephants. Pressure has predominantly being coming from conservation groups and the government to end this trade, and an incredible array of passionate individuals will be taking their stand against this atrocious act of killing an animal for ornamental decoration and status on the 30th tomorrow.  Journalists, reporters, filmmakers and conservationists from around the world will also be coming to witness the burn- including us! I’m producing a film A Lion’s Tale as part of my UWE Masters and this will be my 3rd day of the 10 day shoot.

Being here in Nairobi as this is all unfolding is truly an incredible experience… I never thought in my wildest dreams that I would be given the privilege to cover such an important issue with one of my conservation heroes. This event is more than justified in my opinion, I know the are many out there who disagree with the act of burning a potentially financial gold mine…but elephants are some of the most enigmatic and vitally intrinsic species in the world, and I think to lose them for the simple sake of man’s greed and egocentric attitude would be an enormous tragedy. Elephants and ALL living animals are worth more alive than dead. I would not be able to accept that our species would be willing to profit from an evolutionary adaption of another animal, or using that to put into conservation funds for other animals. Cut the supply and destroy the chain.

Tonight we are prepping for tomorrow’s BIG shoot, 5am wake up to get into register and pick up our press passes with Will- its going to be HUGE! I’m incredibly excited to be a part of this and I hope we can capture the sense of hope that will come from the burning. Speaking to Will Travers, Timothy Oloo and David Manoa today, I can really see the dedication they have to protecting all wildlife here in Africa- and it’s going to be hugely inspiring and moving to witness. Right I better get some sleep then…BIG day ahead!

OBE Will Travers of the Born Free foundation at the burn site. 

Here is an EXCLUSIVE 360 panoramic video of the scene!

FOLLOW us as we take you  LIVE at the Ivory Burn tomorrow and keep you up to date on twitter: @Eagletigger @A_LionsTale where we will be following Will Travers and interviewing celebrity guests at this most momentous event. Check out A Lions Tale for more info about the film: https://www.indiegogo.com/projects/a-lion-s-tale/x/11469504#/

 

 

Virginia McKenna: Meeting my heroine

I was 10 years old when I stood up in front my my somewhat small class of 8 students in Southern Spain to talk about my heroine and great inspiration in life…Virginia McKenna. Having seen the Born Free film, and found out about the astounding efforts of the actress turn conservationist I felt compelled to learn more about this beautiful, spirited and passionate individual. 11 years later, little did I know that I would be producing a film about the plight of lions and my heroine for the Born Free Foundation! It truly is a dream come true and I am incredibly excited to share this with you all. I am certain you’ve all loved watching the Born Free, a story of true determination, passion, love and drama –  and one of the most successful conservation stories ever told all. Lion’s need our help more than ever, and this is why I want to share this story now…

After several trips to the car with various tripods, c-mounts, pro mic kits, radio mics, cameras, lenses, lights, gaffa tape, XLR cables, mixer… we set off! Virginia lives in a most beautiful part of the country, Surrey. The skies were clear and a deep azure, you could even see the reminiscent red silhouettes of the Red Kites as they soared with the thermals over the A4. Trails of happy holiday goers could also be seen with white airplane clouds trailing behind. I was reading over my questions with great excitement, I could not believe I was about to meet my childhood heroine.. she had been part of my early life through television, books and of course podcasts and audio books where her powerful words would inspire me to write, and read poetry about wildlife.

We were let into one of the most beautiful houses I’ve ever seen by her incredibly passionate son Will Travers (president of the Born Free Foundation). He looked remarkably like her, with those dazzling blue eyes and handsome face. Down the bluebell woods which were dappled with a soft spring light, under the trees that whispered in the wind…and into Will’s gorgeous home to set up the kit. Gosh has he travelled. Adorned with relics from every country, the place had such a welcoming and warm feeling. The garden was such a retreat, with its quiet still and calmness– the birds and bees clearly sought refuge in this little piece of Surrey serenity.

After discussing plans with Will about the trip itself and the interview, we met Virginia who had come up from her house.. I must say my heart was pounding! She was even more beautiful in real life and her voice so welcoming. We sat down and began the interview after setting the sound and framing with the cameras. From descriptions of the intense pulse of Africa, her Born Free role, her brilliant husband… to the future of Africa’s lions…to me there is something more remarkable than this woman’s countless number of achievements over the past 50 years. More than her bravery in changing her entire career path onto one of conservation, more than establishing one of the most successful animal charities in the world, more than helping thousands of individual animals and people through her hard work and determination.. it is her sense of hope and light that emanates from her. You not only see it but feel every word she says with such verve and passion that it truly resonates with you. I’ve conduced many interviews before but never felt so moved and inspired afterwards- her ability to listen is something that I believe has allowed her to help change the lives of so many.

After the interview we chatted more about her love for Meru National Park, and I mentioned that I would be thrilled if I saw a naked mole rat (don’t ask me why but its something about their incredible evolutionary strategy which rather excites me..!), and she jumped in delight for my love of them, she was also a lover of all creatures small and mighty. We filmed a few cut aways of her in her garden and sauntered through to her stunning section of the house. Through the pathway an amazing view caught us by surprise, “That’s where Christian the lion use to stay when we helped keep him for Ace and John..” I had to restrain myself from squealing with excitement- CHRISTIAN THE LION! The famous lion from the YouTube video where he remembered his old owners in a fond and loving embrace. And then further down the garden was the most resplendent carving of a lion you’ve ever seen! By a very talented welsh chainsaw artist…the eyes were soft in contrast to the sharp, crisp details of his lustrous mane. Along his back perched a small butterfly; what could be more iconic as a sign of hope…Virginia’s very own butterfly lion although I am told he is called the Lion Guardian.

After visiting her beautiful home, we thanked each other after an embrace and wished each other the best of luck on each of our journeys. This was the most incredible day of my life! There is always that fear at the back f your mind that one of your heroes, should you be so fortunate as to meet them, might not like you, think you’re somewhat annoying or downright  boring…but Virginia’s warmth and compassion came through and I felt so welcomed by both her and Will. I now see that this is their haven to retreat to after all the suffering they see with the animals they fight so hard to save. They are different to any other charity I’ve seen. They truly believe in what they do and care about every individual, and I feel greatly honoured to be starting my journey with them next week as I travel to Kenya, Meru National park- the original heartland of where George and Joy Adamson released Elsa the Lioness into the wild. It’s remarkable to think that now in 2016, the Year of the Lion and the 50th Anniversary of the Film, that the Foundation they set up is still going strong and making such a difference- keep up the hard work! And last week Virginia was awarded the Inspiring Lives Award in San Francisco- she couldn’t be more deserving.

By Born Free Foundation. Virginia and her son Will by Elsa’s grave, Meru National Park.

Please help support their work, and also please check out my IndieGoGo site for A Lion’s Tale (https://igg.me/at/alionstale/x/11469504) for more details, and I’m giving $1000 to Born Free if we can reach our target; thank you! More to come soon about the story and film I’m making for my MA Wildlife Filmmaking course (Bristol BBC NHU) as I travel with my camera assistant Adrian to Nairobi, but for now, asante sana and Hakuna matata!

Photography by the incredible Robyn Gianni, check out her work and where you can get her prints! http://www.robyngianni.org/

 

Wildscreen Re-launch 2016!

What a first semester it’s been! New Year has kick started with a bang, time is flying by and we’re now planning our final film projects and pitching to the BBC soon… it’s all becoming a reality now and I  can’t tell you how exciting it all feels. I’m trying to catch up on some much needed blogging after all the Christmas shenanigans and deadlines- here’s what happened at the Wildscreen Re-launch 2015!

Wildscreen…the Natural History equivalent to the Oscars, announced that the 18th Festival will take place in Bristol, UK from Monday 10th October until Friday 14th October 2016 – we can barely wait! I for one am very excited at the prospect of volunteering as well as entering this year. The talent last year was truly astounding, and more than ever conservation is beginning to make a come back in the form of human and animal  characters, with strong emotive storytelling. (*Hint*Hint…along the lines of my final film too).

At the festival, anyone and everyone in the industry turns up to celebrating the world’s best natural world film event. They all congregate in the dining hall before the main awards event, looking rather resplendent in all that finery. Even the rarest of them all congregates at this most awe-inspiring of talent pools…Sir David has been known to make an appearance despite being a highly migratory species.  At the Festival there’s a whole host of fantastic workshops you can get up to including masterclasses and keynotes which provide unique access to some of the sectors most influential, powerful and innovative individuals.

SO…a the re-launch we were given the task of filming and vision mixing the event, as well as welcoming guests into the viewing. We met up with two experienced cameramen who positioned us in left and right winds as well as the back. Whilst one of us was in charge of tracking the speakers in a mid wide shot, the other to cameras were either a steady wide or “interest cam” where we could get more creative and get close ups of the face and hands as the passionate speakers gesticulated with verve.

We also got involved with welcoming VIP guests with a snazzy Wildscreeen T-shirt, and it was quite thrilling to welcome in some of the biggest faces in the industry. Sadly no David but we shall meet again! It felt so humbling to be in their presence, and a real reminder that we have so much to learn- they’ve been there, done it all and literally gotten the T-shirt. They are so knowledgeable, and I feel incredibly lucky to have been taught by a few of them. Once everyone was in, it was time for a quick piece of tortilla and then leg it to the stage, the show wouldn’t start itself!

Anna modelling and rocking that T-shirt

I was also playing around on the vision mixing desk with Dave, head technician and our lecturer, as well as all round cool, techy, goatee guy. This was an interesting experience for me and really appreciated how important timing is!

Cue Titles……

During rehearsals I got to see some very interesting speakers including talented and rising star Patrick Ayree. A former UWE student himself, he’s blazing our screens with superb new productions such as his most recent Big Cat series by Offspring Films, Sky 1. His dulcet tones emanated from the stage as he hosted the event whilst we were treated to stunning array of photography. He’s certainly one to watch for in the imminent future…

Patrick Ayree hosting the Wilsdscreen Re-launch event, at the rather resplendent Bristol Old Vic.

Then things got fishy…in a good way though, with Wildscreen’s New Horizons Nicholas Röhl, a man with a vision to change the way we recklessly catch fish in an unsustainable manner, through his admittedly bold and humorous photography. Fish Love is at the heart of a global movement
 to protect our seas from destructive fishing practices. The portraits, featuring celebrated individuals with fish have successfully raised awareness for campaigns such as Deep Sea Coalition, OCEAN2012, The End of the Line, and Blue Marine Foundation. Visions of celebrities adorned with fish is something I didn’t envisage, but nonetheless it was a very interesting concept! Check out and support his work here.

Here’s the video too! (Shot on our Sony FS700‘s)

Alex Morris, Creative Director at Barcroft Media talked Digital– where they source amazing photographers using the internet, social media and forums to find the most talented individuals…as there’s a huge demand for eye-catching content. They also a YouTube channel with large global audiences that would even make Taylor Swift go weak at the knees … with over 100 million  views a month! Fun fact of the night:  A staggering 300 hours of media is uploaded every min onto YouTube– that’s a LOT of cute kittens and sneezing pandas…

Violinist Tamsin Waley-Cohen gave a stunning heartfelt performance of The Lark Ascending by Vaughan Williams. Such a beautiful creative display of our relationship with the natural world shown in conjunction with a series of some of the very best wildlife and environmental photography from many talented individuals. This was perhaps one of my favorite highlights of the event as its clean, inspirational simplicity allows your imagination to run wild and feel moved emotionally…a deep routed connection to the natural world that resonates strongly with us all.

After the event it was time to relax and meet some of the guests! And of course show off our new Wildscreen T-shirts kindly given to us by the organizers, thanks Hannah! You all pulled it off!

So here was out team photo #GirlPower! We’ll see you for 2016!

 

Meet the Grauer’s Gorillas: a virtual reality

Chimanuka– a 200kg male silverback Grauer’s Gorilla gently grooms his 3 year old sons back, carefully picking out the burs and ticks…meanwhile wildlife filmmaker Gordon Buchanan captures the most amazing sequences of these gentle giants in the Kahuzi-Biega National Park, one of the last retreats of these elusive Gorillas. Can you imagine watching this in 360… live? This might become a reality very soon…

If you’ve all been watching the superlative “Gorilla Family and Me” on BBC 2 over Christmas, I am certain you’ve fallen for the protective 30 year old male silverback of the 25 strong group of Eastern Lowland Gorillas (or Grauer’s) and his adorable son, Marhale. The bond between these two is emotively captured in this compelling new series by executive producer Ted Oakes, DOP David Johnson and cameraman Gordon Buchanan.

As a lead contributor to this beautiful, heartfelt piece of storytelling, Ian Redmond OBE– (wildlife filmmaker, conservationist and ambassador for the protection of wildlife) has developed a pioneering way in which to view these amazing apes from the comfort of your own home. Yep you heard me, ZERO risk of being sat on by a Grauer, bitten by parasite ridden mosquitoes or blown to bits in a potentially volatile conflict. vEcotourism (http://www.vecotourism.org/) is a virtual reality project that uses interactive on-line tours connects you at home with conservation projects and local communities in ecologically and culturally sensitive areas worldwide.

Founded in 2004 by director Mark Laxer, current vEcotours are primarily being produced in Uganda, the Democratic Republic of the Congo, and Indonesia to highlight the plight of the great apes in those countries, but as they grow they intend to tackle the challenge of conservation world wide. Ian films, presents and narrates all the content that is being brought to you on-screen on his travels and conservation work in these areas.

Ian giving us a talk about his brilliant new project. It was such an honor to meet him; as a huge follower of his work I am very excited to work with him.

It’s innovative and fresh– allowing you to interact and take control of the content you want to see and find out in certain hot spots. Together with a team of volunteers (including myself), we are using our skills as editors, scriptwriter and social media associates to help Ian to be able to host these virtual eco tours and spread the message about the plight of the great apes.

What we’re looking to do is have LIVE tours of these beautiful biodiversity hotspots of the world, where you can join Ian and a co-host via 2 virtual live streams and pan the virtual 360 world of the apes. With these panos (panoramas) you have the power to be able to zoom in/out during the tour, whilst having a team of wildlife experts guiding you. Interactive chat boxes allow you to ask questions with live feedback from Ian throughout the tour. You can take a look at some of the content (non-live tours) and where Chimanuka and his family live RIGHT NOW!

http://www.vecotourism.org/panos/prototours/kahuzi_stump/

Of course, there’s nothing that can beat a real-life encounter with these magnificent great apes, but such virtual reality tours are a fantastic way to learn about the fascinating behaviour and life of an incredibly threatened species…the hope is it will inspire you to help protect the environment in which they live, take up a career in research or simply share your love for these gentle giants.

Time is running out for the largest Gorillas Species, as civil unrest continues to take its toll in the Democratic Republic of Congo (DRC). In the last 50 years, its range has decreased from 8,100 square miles to 4,600 square miles today…and less than 9000 individuals remain. Please do what you can for this remarkable species and donate/share if you can:

https://secure.gorillas.org/save-me?platform=hootsuite

REMEMBER tonight on BBC Two (27th December at 9pm to 10pm) is the last episode of the beautiful “Gorilla Family and Me.” So much emotion and storytelling with the 25 strong family, led by the charismatic Chimanuka silverback male. Shout out to my roommate who was the assistant editor- Charis May!