Tag Archives: BBC

Panasonic GH5 – A wildlife filmmaker’s dream?

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Hello everyone! It’s been a while since I wrote a single word on this blog as these past 6 months have been hectic- editing away for A Lion’s Tale, doing work experience on the One Show, BBC Wildcats, attending Wildscreen – and recently my own film premiere at the Everyman theatre! Now I’m officially a graduate MA Wildlife Filmmaker; time has flown and can’t actually believe the course is over now. I also managed to get some very exciting work at the BBC as a researcher for NHU digital, on Planet Earth II and Oceans digital projects – a dream come true (!) So much can happen in the space of a few weeks, Bristol is such an incredible city full of passionate creatives…

More of that later, but today I’m here to share my experience with the greatly anticipated Panasonic GH5, which has NOW been released today...

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At the beggning of February I got the amazing opportunity to try out the pre production GH5 model, which I was especially excited about. I had been reading different hybrid mirrorless camera specs, including the GH4 and A7S II. But the I came across the GH5; and if I could write a specs list as a wildlife photographer and filmmaker – this camera would tick them all! And whilst there are many of you out there shooting incredible films with FS7’s or RED One’s, this article is targeted towards those with much smaller budgets and the need to travelling light. I principally wanted my choice of camera to provide me with all the features that allow me to have stabilized, sharp images, 4K at 10 bit, variable frame rates to shoot in high speed and capture high quality,blue-chip style footage… and here it was! Not to mention the improved low light performance and compact body…

Here’s the tech specs for you to drool over:

Technical Specifications

  • 20.3MP Digital Live MOS Sensor
  • Venus Engine Image Processor
  • UHD 4K 60p Video with No Crop!
  • Internal 4:2:2 10-Bit 4K Video at 24/30p
  • 4:2:2 10-bit (DCI and UHD up to 30p + HD 60p) Firmware update summer/April
  • 400mbps All-intra (DCI and UHD up to 30p) Firmware update summer/April
  • Variable frame rate (up to 180fps in 1080p HD: )
  • 5-Axis Sensor Stabilization; Dual I.S. 2
  • 0.76x 3.68m-Dot OLED Viewfinder
  • 3.2″ 1.62m-Dot Free-Angle Touchscreen
  • Advanced DFD AF System; 6K & 4K PHOTO
  • ISO 25600 and 12 fps Continuous Shooting
  • Dual UHS-II SD card Slots;
  • Wi-Fi & Bluetooth
  • Improved low light
  • Hybrid Log Gamma (for HDR video)
  • Waveform and Vector monitors (for all you graders out there!)
  • Price:  £1699.00 (body only, UK)

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Sample shots

So enough of me gabbling on; here are some stills I took at Bristol Zoo and around the city, using the 100-400mm f/4-6.3 and  the 15mm Summilux  f1.7  Leica lenses:

duckDucks galore. 1/650 sec, f/6.3 with the 400mm Leica lens. 6K stills mode.

lions_edited_black_bkg4_curve_balanceLions lair. Shot handheld through a fence 1/650 sec, f/6.3, ISO 1600 with the 400mm Leica lens. Cloudy/dark conditions so had to increase the ISO as the min aperture was 4.

lion_ss_1400mm Leica lens at 1/400 sec, f/6.3, 1600 ISO, manual

fur_seal400mm Leica lens at 1/320 sec, f/4, 400 ISO, 6K stills mode.

fur_seal_MCU400mm Leica lens at 1/320 sec, f/6.3, 400 ISO, manual

red_panda400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

red_panda_2400mm Leica lens at 1/1000 sec, f/4.0, 1600 ISO, 6K stills

penguin215mm Leica lens at 1/500 sec, f/1.8, 200 ISO, manual

flamingo2.1400mm Leica lens at 1/1000 sec, f/4.2, 1600 ISO, 6K stills

And now for cities!

test415mm Leica lens at 1/1020 sec, f/1.8, 200 ISO, manual

tes2sunrisemist15mm Leica lens at 1/3200 sec, f/1.7, 200 ISO, manual

boats_harbourside15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manualcranes_bristol

boats_towards_city15mm Leica lens at 0.6 sec, f/1.7, 200 ISO, manualcathedral CU15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manualtower15mm Leica lens at 0.5 sec, f/1.7, 200 ISO, manual

So here’s my short little summary breakdown of the pros and cons (so far):

Pros

  • Incredible image quality. Both stills and video
  • Sharp 
  • Fast focus, cont focus very good with fast moving subjects (with a whopping 225 autofocus points compared to the GH4 which had just 49 of them!)
  • Dual IS was brilliant; everything was shot handheld!
  • Colours were vivid and realistic
  • Variety of functions and control
  • Viewfinder superb contrast and easy to use in combination with the screen
  • Screen: incredible quality and sensitive to touch screen capabilities
  • Solid feel, nice grip
  • Sound stereo actually good
  • 6K photo function
  • Ability to stabilise on a drone and shoot 4k 60fps
  • Price: Nearly $1500 cheaper than the A7S Ii, you can afford to splash out on a decent lens and not struggle
  • Compact: You get through customs without questions, as a ‘tourist’ and not draw attention with a large FS7 or FS700 without compromising on quality…
  • You can use this on a Movi for additional stabilisation
  • Ability to attach mics – interface with Panasonic’s optional hot-shoe powered DMW-XLR1 microphone adapter (for amazing sounding interviews!)

Cons

  • High speed grain. Quite noisy at 180fps, better at 120 when light conditions were good. An try and avoid using 1080 120 100mbps with a telephoto lens (if you’re using the 15mm 1.7 you’ll be fine as this is a nice wide, fast lens that gives you plenty of light).
  • 100-400mm manual focus not as smooth or intuitive as some of the Canon L glass (but you can get a speedbooster and mount for your Canon lenses)
  • Battery life; constant 4K shooting 3 hours and 15 minutes. Not mega efficient! But can get 2 and lasts longer than A7S.
  • Poorer performance at 3200 in low light, not good in darker conditions with telephoto, but superb with the 15

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What next?

Well, there’s a few things that I personally want to film with this revelatory new piece of camera technology. Exquisitely designed in terms of ergonomics and with the operator in mind – this is certainly one to watch for indie wildlife filmmakers who not only want to shoot stunning stills, but also enter film festivals by shooting short films – all within budget. (Then you’ve got more to cash to splash on going out on location to exciting places!)

More soon with video footage samples in 4K and variable frame rates, as well as a more extensive guide on what each of the features allows you to do – but in the meantime, get down to your local camera store and try it out!

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ps: Me playing with a Ronin! And soon Gh5…..

Burning Kenya’s Ivory: A 360 perspective & CITES 2016

Low angle ivory pile

6am. Adrian was still asleep, I was praying that he felt better after his terrible bout of sickness…. to no avail. I felt so bad for him, that he couldn’t share this moment with me as a friend, filmmaker and fellow conservationist. Today was the largest Ivory Burn in history- 105 tonnes of ivory and all of Kenya’s leaders, wildlife activists were ‘joining the herd’ in Nairobi National Park to stand up against the illegal wildlife trade that has caused over thousands of elephant deaths due to the simple sake of man’s greed.

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Heavily guarded ivory, the Kenya Wildlife Service Rangers on patrol. 

However….

Rain…rain…not so beautiful rain! It HEAVED it down, the ground was quickly assimilated into a large soup bowl of red earth. My already worn out boots seemed to cling to the ground like roots. We had to queue outside the National Park gates and collect our press passes, much to my horror mine wasn’t there, but I was reassured when I had my UK Journalism (NUJ) Press Pass and the brilliant Tim Oloo to help us by pass the armed KWS rangers (the novelty of people with AK-47 guns hadn’t worn out..)

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They searched our pockets and bags for any explosives (I certainly didn’t fit the bill), and we were ushered into a packed mini-bus to drive us through the park in safety. Journalists, reporters, filmmakers and conservationists clutched their camera gear and tripods with gusto as we bumped along the muddy path. It felt rather like we were entering Jurassic Park inside one of their vehicles with its dense scattered Acacia bushes and thick highland trees.

We then we piled out of the bus as we arrived at the site we had done before on the 28th, and once again went through security with all our kit. Droplets of rain began falling, just teasing us as we hauled our kit across the already quagmire site.

The press stands were soon filling up and I bagged two spots with my tripod for good measure. Rather than on the journalist podium, I placed it just offside where a direct shot of the flames and president could be had (we’re talking photographic terms here, not actual shooting!) Then it began raining lions and hyenas…and I schlumped my way across to the press tent…which was like a rather nice watering hole– not the like where you could find drinks but the literally the ground meant your calves were submerged. I got the kit to high ground and worked out a plan of action. Wides and close ups on the tripods with the 200-400mm lens, and roving with the 17-200mm kit lens on the shoulder rig. Tim and Will were busy liaising and so all we could do now was wait for instructions and people to arrive. To say I was excited about seeing Leonardo Di Caprio was an understatement…. I wondered if Elton John would be coming too?

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 The rain at the ivory burn event, Nairobi National Park. Press avoiding the rain 8:45am, 30th April, 2016. © Tania Esteban

 

Being among top journalists from around the world made me laugh and smile, I was nothing if not a minute fly in comparison to their expertise… but I felt thrilled to be among them and curious as to what camera equipment they would be using. A lovely guy from the Huffington post asked me about my Richo Theta camera I was using and showed him my model, his was the updated grey version. Everyone wanted to be part of the new trend! Well I only saw two other people with one, so check out my 360 videos for some exclusives!

I thought I’d leave some of the kit back in the little white tent opposite the main presidential one, and follow Will. Again the floor wasn’t any better here. Heels would not be useful for any dignitaries! There I saw Will talking to Charlie-Hamilton James! One of my fave wildlife photographers, I was very excited to introduce myself and ask about his recent trip to film for Disney Nature. He told me he had just come from filming lions in the Mara, and I told him about my own film I was wishing to find in Meru. Then I bumped into Michael Owino, a local Sound Technician who offered to hold an umbrella for me in the rain- thanks Mike! He was such a help, I managed to get a few steady shots of officials as they prepared the ivory and rhino horn for the main event.

SO much was happening at this point (11am), and many journalists were beginning to set up and capture the events. Also bumped into Ian Redmond, Born free ambassador and Ape Alliance chairman who actually put me in contact with Will about the film, I owe pretty much the entire trip to him- thank you! He was busy filming for the BBC’s new exciting series (more revealed soon!) and I happily agreed to shoot an interview with him for it. So whilst milling around in the mud inside the tent, we shot outside when the weather cleared up. Ian was piece perfect and hit the key points, balancing the emotional and logical science on the issue.

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Ian Redmond at the Ivory Burn talking to Ian Douglas-Hamilton. ©Tania Esteban

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After that I went celebrity spotting! Was quite fun and I did see Kristine Davis who is an ambassador for the Sheldrick Trust (Sex and the City!), the modern lion man himself Kevin Richardson, and I met legendary wildlife photographer Jonathan Scott! Was such an honour to meet him towards the end. Also another of my conservation heroes Iain Douglas-Hamilton! I shook his had with enthusiasm before I realised they were covered in mud…I apologised profusely but hopefully he didn’t seem to mind, I doubt that a bit of mud will perturb this great man, father of one of my heroines Saba Douglas.. what I wouldn’t give to roam around Samburu bear foot and searching for elephants.

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Actress: Sex and the City star Kristin Davis, who is a patron of the Sheldrick Wildlife Trust.
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Kevin Richardson, the  modern Lion Man himself at the burn.

Anywho! I also filmed the legendary Dr Richard Leaky as he walked among the crowd and then approached the main ivory pile. Then it was time to film the events going on inside the tent. I bumped into my new friend Michael as he was setting up his C300 onto the stage. There were dancers and performers as well as upcoming rising eco warrior, actor and musician Luca Berrardi, aged 12 he has accomplished many great things in Kenya, raising awareness about the plight of their wildlife. Check out his twitter profile.

Then after a few more roaming shots I decided to head out and capture the president when he came out to the podium outside. Journalists were clearly thinking a similar strategy…and we all crammed together in mud like penguins looking lost. The ivory gleaned in the afternoon sun, wet from the mornings downpour. Thank goodness I had placed the tripod earlier! Long lens on one camera, the other with the zoom…we were ready for the president and the lighting of the ivory. In the tent the words ‘Worth more alive” echoed in our ears, its staggering to think of the mindless bloodshed because of mans greed. Virginia herself quoted that ivory carvings represent”little symbols of death.” Charlie Hamilton-James and Jonathan Scott also lined up alongside us to capture that perfect shot of the president lighting the ivory pile- the symbol of Kenya’s strength and determination to eliminate the horrific trade as well as all others (including lion body part trade).

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Jonathan Scott at the Burn site, ready to take photos of the president. ©Tania Esteban

The president made his way along the muddy path and took questions from the press, I filmed away in awe of what I was witnessing. Kenyatta then lit the ivory and to our disappointment there wasn’t much of an all-explosive-light-up of the pile; a rather puffed out cough of smoke. But soon enough the smoke billowed and the flames grew

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Surrounded by the world’s media and press, all eyes on the president. ©Tania Esteban

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Billowing smoke as the president looks on and the world’s media. ©Tania Esteban

 

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President Kenyatta taking questions at the ivory burn. ©Tania Esteban

The flames were flickering up towards the heavens as the light fell, and a silence fell upon all of those witnessing this momentous spectacle. 105 tonnes of ivory, 6000 elephants…generations of elephants wiped out because of the simple sake of mans greed. I often reflect upon humanity, and my own existence as a human because of the terrible atrocities many people commit. The smell was overwhelming, a mixture of kerosene but more prevalent still the smell of death…burning carcasses and bone of once living creatures. The sound of the cracking of the ivory was equally powerful, and the burning hiss that resonated across the field. And then the carnage….

We all literally legged it as soon as the tape was removed to get the first shots of the flames up close an personal, the solemn meaning of the event was temporarily forgotten. But first there was a ditch to cross…

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Not pleased with the ditch to cross…its deeper than it looks!
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A solemn moment…Very privileged to have been given access to film but equally overwhelmed by the numbers of elephants slaughtered.

Once over the rangers patrolled the ivory like rottweilers with rifles, their heavy boots sinking into the ground, and posing for eager photographers. You could really feel the heat coming from the 11 stacks, the smell billowing away into the inky darkness

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I continued to film and photograph away, staring in awe at my surroundings. A drone engine suddenly pierced the air and we looked up to see an Inspire capturing a unique view of the burn, something we all would want to shoot! Check out the video by Barny Trevelyan-Johnson.

Here’s me in a 360 video filming at the front where the piles are burning, don’t forget to pan around!

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Filming at the ivory burn was a privilege, I was happy to be there to document this as a my first proper shoot, but I felt truly overwhelmed by what I had seen…
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10 tonnes each; up in flames….On the tusks are individual identification names, with information regarding the origin, weight, elephant sex, age and herd.
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The haze moving in, the smell was very powerful.

After capturing further shots I was the introduced to another one of my heroes, Jonathan having seen him photograph all day, and Ian Hamilton. What a privilege. Also saw the fabulous News anchor/presenter for NTV Wild, Smiriti Vidyarthi there interviewing Patrick Omondi and the KWS officials.

And so dear readers, the emotional rollercoaster of a day came to an end, and Will, Ian, Tim and myself readied ourselves to leave the sight…one last GoPro video….

But before you go, remember that THIS September  over 180 countries will convene in Johannesburg at the CITES meeting to decide the fate of lions and elephants– to upscale the protection afforded for lions and ban the illegal wildlife trade in ivory. Hong Kong’s chief executive C.Y Leung recently stated that they would attempt to phase out all trade in of ivory. Others are yet to act. In fact Zimbabwe and Namibia are planning to ask CITES to approve new legal sales of ivory – a dreadful idea.

SO..

Keep the FIRE BURNING…share on Social media, tweet, Facebook, Pininterest, about how YOU CARE about the fate of not only elephants, but ALL wildlife. In the next 30 years they could be gone forever. The greatest threat however is habitat destruction and this is something I will be addressing in the next few blog post. In the meantime, have a look at this clip by Wild Aid at the end of this article and start talking to your world leaders and politicians to act!

Also some of my ivory burn footage can be seen here in a preview of A lion’s Tale! See what you think (at 1:43 min in):

 

 

Natural wonder: Sir David Attenborough

Happy Birthday Sir David Attenborough! As I am sure we all know, last week marked this great mans’s 90th; a person who has more than anyone changed our relationship with the natural world, enthusing countless generations to appreciate the variety of life on our planet. His dedication, passion, relentless enthusiasm has undoubtedly inspired more people in our world to care and want to make a difference. I certainly am on this pathway because of him as well as other incredible individuals (including my mum!).

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SO what makes him our natural treasure?

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1# His enthusiasm

From collecting fossils as a child in Leicester, to loving creatures big and small, ugly and beautiful, his appreciation for all animals is why we love him so. He even says he is no animal lover, much to the bewilderment of many. However he is the ultimate curious intellect and shares a fascination for all of nature, and not the gushy anthropomorphic rantings of a bunny hugger…

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2# His knowledge

Not only has he racked up 32 honorary degrees from Universities across the country (more than anyone else), but having studied natural sciences at Cambridge then Anthropology later…his knowledge of all living creatures and the biological, chemical, physical process that govern them is second to none. Go on, ask him a question!

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3# THAT voice.

His dulcet, hushed tones, as well as powerful vocals mix into just about the most recognizable natural history narration voice of all time. David = Nature God. His warmth and clarity both hooks and fascinated you. I think I’ve spent most of my waking life listening to his voice either through the television or radio podcasts. I’m even starting a petition for a David Attenborough Tom Tom guide…

“..And here, we have the Lyre bird…”

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4# Humble by nature

Despite his numerous awards, degrees, honours..he still remains a humble and grateful being…he loves economy class and never forgets to greet or thank you…

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5# He’s been there for you: in B&W, Colour, HD, 4K, 3D and 360 baby

He is the only person to have produced television in B&W, Colour, HD, 4K, 3D and more recently with his VR dinosaur 360 video clip. He’s so with it  even us youngsters have to keep up with him. I reckon a holographic projection David will be available soon…

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6# Impact

Sir David Attenborough joined the BBC as a trainee in 1952, and his early career included the highly different television debate programme, Animal, Vegetable, Mineral? But his audaciaous and determined nature meant that he wanted to show audiences new ways of making films and a life outside the television studio. The result was the hit series ‘Zoo Quest,‘ which combined live studio presentation with footage shot on location for the first time. He made us CARE about the natural world through education and entertainment. 

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7# He’s SO quotable

A master of verbal carpentry, his written scripts result in some memorable quotes, here are my personal faves;

“A hundred years ago, there were one and a half billion people on Earth. Now, over six billion crowd our fragile planet. But even so, there are still places barely touched by humanity.”

“Our planet may be home to 30 million different kinds of animals and plants. Each individual locked in its own life-long fight for survival.”

GO on, give us another…

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8# His wicked sense of humour

We’re no stranger to his witty, whimsical and wicked sense of humour. He’s been asked onto several major chat shows more than twice and his gentleman like attire and charm  is irresistible. Even Cameroon Diaz can’t get enough of our David! More recently during an interview on BBC Radio One, Sir David was asked to narrate the video for Adele’s new song. He even gave it the trademark Attenborough voice-over.

“Like all pop stars, she needs to hunt to survive,” he begins. “The lesser spotted Adele is about to be everywhere again.”

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9# He’s travelled more than anyone in history

Since his television career back in the 1950’s he started travelling around the world, and is now the most travelled person in the HISTORY of mankind...that’s some impressive migrating. It seems his life has been perfectly timed where he saw the world in its former pristine self… And so he’s not only just seen more wildlife, people and places than anyone else but also witness the greatest amount of change than anybody who has ever lived.

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10# He’s simply the best #WishYouWereMyGrandad

All that said, we simply love him because he is our natural treasure and we all want him to be our grandad…he started the beginning of natural history filmmaking, and still is an amazing filmmaker and producer in his own right…love you Dave’s XOXOX

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Here I write about my own encounter with the lesser spotted David, over 2 years ago…..

It was 6am, Spanish time. And yes, it was the summer, BUT Sir David Attenborough tickets were on sale for his lecture on Alfred Russell Wallace in Cardiff New Theatre! I was poised with my mouse cursor ready to buy a ticket after refreshing the page… then to utter dismay all the tickets had sold out after 2 minutes of pending. I was overwrought. It happened by coincidence that I had a week long field trip to Dale Fort, in Pembrokeshire on the 18th September, and the very same day that David was giving his lecture, and so I had to book a ticket! So I put my self on wait list and hoped for the best. After a week, forgetting that I had even applied, I received an email saying I had 2 places to book tickets-result! Booked them instantly….then I thought about actually getting there.

 

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So bunked off the uni bus journey to go and see my hero- and the reason why all zoologists study their degree… so a pretty good excuse! It took 7 hours in total to get to Cardiff Central, with various stop-offs. Wasn’t cheap getting there but I had worked as a student ambassador to get the money. Went with a friend, and we went for a coffee opposite the theatre at 6pm to await the arrival of the greatest wildlife broadcaster to have ever lived…That hot chocolate tasted so good! I was positively jubilant! I could not contain my excitement as soon as I had received the lecture brochure and meticulously read through the talk. Then we walked out of the coffee shop, and at the same time a dark Mercedes tinted windowed car pulled up alongside the entrance, where he stepped out…I almost fainted on the spot then and there… He had entered the building!
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When we got our seats, which were at the very back, (so we could go out and catch the train we had booked to go to Milford Haven, then to our field trip location) and then as Sir David entered there was a sudden gasp from the audience, followed by a rapturous applause! It was a fascinating lecture all about the great Alfred Wallace, and his humble beginnings and shear enthusiasm for adventure really. Some really hilarious clips and gestures by David, absolutely brilliant, wish all lectures were like this! Before I knew it, it was question time, I was the first to put up my hand, but sadly, at the back I wasn’t noticed until the end when they ran out of question time. They even handed me a microphone, at which point my legs had turned to jelly. After that, we had to rush out to get our bags and then run for the train, only just made it! Onwards to Dale Fort for our own adventures (and a lot of hard stats and collecting data from the field!). However, I did send him a long letter including the question I so wanted to ask, which was,
“Out of Darwin, Gregor Mendel and Wallace, who do you believe has contributed the most to society.”
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He answered back too! His letter takes pride of place on my windowsill, (next to my fossil Archaeopteryx). I think its wonderful that a man who is so busy would even take up his time to read his fans letter, he truly is a remarkable, special man, and I am honoured to have seen him at his lecture and be alive during his lifetime- Thank you David- and may you long keep making Natural History programmes!

A Lion’s Tale

As many of you know, I have been off filming in Kenya as part of my final Master’s film for the UWE Bristol-BBC course. Here is a little more background to the story before I start blogging the exciting events that happened during the trip!

Please check out more about the FILM here:

https://www.indiegogo.com/projects/a-lion-s-tale/x/11469504#/

 

Synopsis

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2016 is The Year of the Lion that will honour the 50th anniversary of the film Born Free. A story of true determination, passion, love and drama – it is one of the most successful conservation stories ever told all. This film will be presented by Virginia McKenna, the actress turned wildlife activist as she tells us about her journey to protect the lions of East Africa and introduces us to the team of rangers currently working in Elsa’s heartland, Meru National Park. Led by Virginia’s son, Will Travers and the charismatic Victor Mutumah (Game warden of the Kenya Wildlife Service), we see first-hand how the threat to lions has never been so pressing.

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Wildlife activist Virginia McKenna; actress turn conservationist
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Meet Victor Mutumah: chef extraordinaire and wildlife conservationist or Born Free.
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OBE Will Travers: son of Virginia and Wildlife activist, president of the Born Free Foundation. Shown here at the major Ivory Burn event we attended.

Why now?

Their numbers have declined by 90% since the making of the film, and the recent lion census has revealed that in Meru poisoning, snaring and hunting is threatening the last remaining populations of the original lions raised by George Adamson. As the team search for answers across the dramatic landscape, it ultimately leads them to the local Borana people whose livelihoods are equally at risk from these majestic predators.

Without urgent action, lions could become extinct into the wild within our life time- as currently there are less lions than rhino in the wild

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Can the team help convince the new generation of children of the value of lion? Will they change from hunters to conservationists? Will Virginia’s lion legacy be felt in the true heartland where it matters most?

Where?

Our documentary will take place in the heartland of the Born Free story, in the little visited and utterly unspoilt Meru National Park where the Adamson’s released Elsa the lioness into the wild. Steeped in history, few places are comparable to the remote and rugged atmosphere found here with a vast range of habitats, criss-crossed with 13 natural rivers. From the majestic lion and the minute naked mole rat – it truly is a landscape of contrasts.

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Virginia McKenna

Despite being at the peak of her career, the film and all it still stands for changed her life…It’s powerful message stayed with her after the film and so she gave up Hollywood and began a lifetime of campaigning across the world to save animals from commercial exploitation, imprisonment, cruelty and the loss of their natural habitat-focusing relentlessly on her personal mission with the Born Free Foundation.

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The Story

In the beginning we meet Virginia McKenna, actress turn conservationist as she introduces us to the Born Free film she was involved with, and shares the impact it had on her. Through a series of interviews and cut aways to archive of the Born Free Film, we gain an insight into why lions are important to her, her relationship with them and what the Foundation is doing as part of their campaign to halter their startling decline….

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We then journey to the homeland of Elsa the lioness and the heartland of Joy Adamson- Meru National Park. Virginia’s voice guides us though a remarkable raw landscape in the foothills of Mt Kenya with its herds of zebra and elephants, home to the descendants of the original lions from the film. Here we meet Victor Mutumah of the Born Free Foundation and the rangers who fight tirelessly against poachers and bandits.

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The reality of what’s causing the lions decline is revealed in the field as the rangers track down snares and traps.However the main cause is shown as human populations encroach further into lion territory this often leads to human-wildlife conflicts and a fragile relationship between lions and locals. Is conservation on the agenda amongst the local people? An interview with a local farmer from the Meru tribe gives us an insight into where this stems from, and what is really thought about conservation.

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What does Born Free and the KWS need to do to change their views in on one of the last strongholds of lions in Kenya before its too late?

Born Free and the KWS attempt resolve this conflict by reaching out towards the community and giving them the tools to become conservationists. With the Global friend’s programme, they educate the next generation of lion guardians about the value of lions to their culture and livelihoods. By focusing on environmental education and benefits to human communities; Global Friends encourages communities to find their own solutions to human-wildlife conflict… As well as this, de-snaring operations and research are helping to reduce conflict and enable a better understanding of the last remaining individuals in the park. However the threats are very real to the rangers, who need to protect themselves as well as the lions they so dearly care about.

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On the final leg of the journey, we meet Virginia’s son, Will Travers as he journeys to the Ivory Burn in Nairobi National Park; the largest in history, and a symbol of hope to tackle the ever increasing rise in the illegal ivory trade and of all of Kenya’s species.

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But will this be enough to change people’s relationship between lions to a positive one? Is there hope for the future of Kenya’s lions?

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The Impact

On completion of this film, it will be screened at the BBC Natural History Unit this September 2016, a day of great celebration for everyone involved in the project and YOU at home for making it a reality. Then it’s off to the Film Festivals around the world! Virginia’s Lions could have an impact on raising awareness about the plight of lions and encourage protection from commercial trade at the 17th COP convening with CITES in Johannesburg, South Africa.

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The Born Free Foundation since its creation in 1984 originally with Zoo Check, it has raised over millions and grown into a global force for protecting and rescuing wildlife. It is working harder than ever with local communities to give them right conservation tool, with its personal passion for wild animals and desire for positive change remaining at the heart of the foundation.

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Resolution?

Virginia’s message of hope is an inspiration to us all, and something which all humans share. I hope to raise awareness about the plight of lions through my film, but also celebrate the story of Virginia McKenna and the Born Free Film which changed her life. This story is unique in that Virginia is not a scientist, nor a local Kenyan…but someone who has a deep passion and connection to the place and the wildlife around her. We will ultimately decide the fate of lions, and so let us chose hope and rally with Born Free to ensure the next generations will see this remarkable iconic species in the wild for themselves.

Photo credit: The amazingly talented Robyn Gianni took these photographs and is allow me to use them for the film! Check out her incredible work here:

 

Trailer: https://vimeo.com/163647394

 

Diving into BBC’s Big Blue Live

Going Digital: Social Media and 360 Filming

We dived into the BBC Big Blue Live Masterclass in Bristol to learn about the secrets of their latest live wildlife-drama hit.

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Laura Thorne, Paul Deane and Sam Hume took to the stage to reveal the digital highs and lows of this new immersive and multiplatform series celebrating the wildlife of our oceans co-produced by the BBC and PBS. “Bringing the world to Monterey Bay” created many logistical, technical and editorial challenges for the team. The boats out in Monterey had been rigged with live cameras but nobody knew which individual animals would be filmed! Back in the UK we’re used to seeing the similarly formatted Springwatch with a more regimented character appearance, but as experienced producer James Honeyborne said, “Nature is literally writing our script!”

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However the adorable Southern Sea Otters at the Bay offered the crew a life line, allowing them to follow the story of a female mother, Bixby and her young pup. There’s nothing cuter than a literal ball of fluff- a single looping vine clip had over 4 million views on social media. Now that’s transoceanic!

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The social campaign was hugely successful with experienced Digital Development Lead Paul Dean on board, where the stories, wealth of archive material (70% digital exclusives) and hot-off the platter video-bites were served up on the BBC Earth Unplugged social platforms to some of the largest audiences the broadcasters have seen online. In a world of increasing content, there is little time to grab an audience’s attention.

And so the wealth of GIFs, videos, Vines, stills and infographics kept both UK and American audiences entertained and enthralled by this little known oceanic part of the world.

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Even 360 got a test dive… a virtual interactive reality video where you can dive among the verdant and colossal kelp forests, or have a swim with seals and Steve Backshall in an equally engaging virtual world. The BBC were however careful to choose the right video clips to fit a particular platform, and were able to partner with PBS and Monterey Bay Aquarium to promote their content.

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Influencer campaigns of people with ‘big accounts’ such as conservationists and presenters were also targeted to “re-tweet” material, with the Blue Whale’s last minute appearance stealing the headlines.

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This indeed proved to be a crucial element in making Big Blue a splashing success worldwide. Co-branding the BBC and PBS worked surprisingly well for the team as well, despite traditional ways of publicising programmes. The team shared their top tips for getting your content out there:

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  • Know your audience
  • Be patient
  • Try out material
  • Know your team
  • Be multi-skilled
  • Pre-release your best content
  • Listen to you audience

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But most of all, be HUMAN. Audiences want to be entertained on Digital Platforms as well on TV, with stories that are risky, humorous and inspiring. Big Blue Live was a truly ground-breaking and thrilling interactive experience. The Live Team are now looking for the next big series where the logistical issues of filming at different times of the day can be overcome, but not at the expense of finding amazing wildlife. We racked our brains for a few places we thought might fit the bill- let’s hope they have potential!

Wildscreen Re-launch 2016!

What a first semester it’s been! New Year has kick started with a bang, time is flying by and we’re now planning our final film projects and pitching to the BBC soon… it’s all becoming a reality now and I  can’t tell you how exciting it all feels. I’m trying to catch up on some much needed blogging after all the Christmas shenanigans and deadlines- here’s what happened at the Wildscreen Re-launch 2015!

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Wildscreen…the Natural History equivalent to the Oscars, announced that the 18th Festival will take place in Bristol, UK from Monday 10th October until Friday 14th October 2016 – we can barely wait! I for one am very excited at the prospect of volunteering as well as entering this year. The talent last year was truly astounding, and more than ever conservation is beginning to make a come back in the form of human and animal  characters, with strong emotive storytelling. (*Hint*Hint…along the lines of my final film too).

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At the festival, anyone and everyone in the industry turns up to celebrating the world’s best natural world film event. They all congregate in the dining hall before the main awards event, looking rather resplendent in all that finery. Even the rarest of them all congregates at this most awe-inspiring of talent pools…Sir David has been known to make an appearance despite being a highly migratory species.  At the Festival there’s a whole host of fantastic workshops you can get up to including masterclasses and keynotes which provide unique access to some of the sectors most influential, powerful and innovative individuals.

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SO…a the re-launch we were given the task of filming and vision mixing the event, as well as welcoming guests into the viewing. We met up with two experienced cameramen who positioned us in left and right winds as well as the back. Whilst one of us was in charge of tracking the speakers in a mid wide shot, the other to cameras were either a steady wide or “interest cam” where we could get more creative and get close ups of the face and hands as the passionate speakers gesticulated with verve.

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We also got involved with welcoming VIP guests with a snazzy Wildscreeen T-shirt, and it was quite thrilling to welcome in some of the biggest faces in the industry. Sadly no David but we shall meet again! It felt so humbling to be in their presence, and a real reminder that we have so much to learn- they’ve been there, done it all and literally gotten the T-shirt. They are so knowledgeable, and I feel incredibly lucky to have been taught by a few of them. Once everyone was in, it was time for a quick piece of tortilla and then leg it to the stage, the show wouldn’t start itself!

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Anna modelling and rocking that T-shirt

I was also playing around on the vision mixing desk with Dave, head technician and our lecturer, as well as all round cool, techy, goatee guy. This was an interesting experience for me and really appreciated how important timing is!

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Cue Titles……

During rehearsals I got to see some very interesting speakers including talented and rising star Patrick Ayree. A former UWE student himself, he’s blazing our screens with superb new productions such as his most recent Big Cat series by Offspring Films, Sky 1. His dulcet tones emanated from the stage as he hosted the event whilst we were treated to stunning array of photography. He’s certainly one to watch for in the imminent future…

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Patrick Ayree hosting the Wilsdscreen Re-launch event, at the rather resplendent Bristol Old Vic.

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Then things got fishy…in a good way though, with Wildscreen’s New Horizons Nicholas Röhl, a man with a vision to change the way we recklessly catch fish in an unsustainable manner, through his admittedly bold and humorous photography. Fish Love is at the heart of a global movement
 to protect our seas from destructive fishing practices. The portraits, featuring celebrated individuals with fish have successfully raised awareness for campaigns such as Deep Sea Coalition, OCEAN2012, The End of the Line, and Blue Marine Foundation. Visions of celebrities adorned with fish is something I didn’t envisage, but nonetheless it was a very interesting concept! Check out and support his work here.

Here’s the video too! (Shot on our Sony FS700‘s)

Alex Morris, Creative Director at Barcroft Media talked Digital– where they source amazing photographers using the internet, social media and forums to find the most talented individuals…as there’s a huge demand for eye-catching content. They also a YouTube channel with large global audiences that would even make Taylor Swift go weak at the knees … with over 100 million  views a month! Fun fact of the night:  A staggering 300 hours of media is uploaded every min onto YouTube– that’s a LOT of cute kittens and sneezing pandas…

Violinist Tamsin Waley-Cohen gave a stunning heartfelt performance of The Lark Ascending by Vaughan Williams. Such a beautiful creative display of our relationship with the natural world shown in conjunction with a series of some of the very best wildlife and environmental photography from many talented individuals. This was perhaps one of my favorite highlights of the event as its clean, inspirational simplicity allows your imagination to run wild and feel moved emotionally…a deep routed connection to the natural world that resonates strongly with us all.

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After the event it was time to relax and meet some of the guests! And of course show off our new Wildscreen T-shirts kindly given to us by the organizers, thanks Hannah! You all pulled it off!

So here was out team photo #GirlPower! We’ll see you for 2016!

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Meet the Grauer’s Gorillas: a virtual reality

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Chimanuka– a 200kg male silverback Grauer’s Gorilla gently grooms his 3 year old sons back, carefully picking out the burs and ticks…meanwhile wildlife filmmaker Gordon Buchanan captures the most amazing sequences of these gentle giants in the Kahuzi-Biega National Park, one of the last retreats of these elusive Gorillas. Can you imagine watching this in 360… live? This might become a reality very soon…

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If you’ve all been watching the superlative “Gorilla Family and Me” on BBC 2 over Christmas, I am certain you’ve fallen for the protective 30 year old male silverback of the 25 strong group of Eastern Lowland Gorillas (or Grauer’s) and his adorable son, Marhale. The bond between these two is emotively captured in this compelling new series by executive producer Ted Oakes, DOP David Johnson and cameraman Gordon Buchanan.

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As a lead contributor to this beautiful, heartfelt piece of storytelling, Ian Redmond OBE– (wildlife filmmaker, conservationist and ambassador for the protection of wildlife) has developed a pioneering way in which to view these amazing apes from the comfort of your own home. Yep you heard me, ZERO risk of being sat on by a Grauer, bitten by parasite ridden mosquitoes or blown to bits in a potentially volatile conflict. vEcotourism (http://www.vecotourism.org/) is a virtual reality project that uses interactive on-line tours connects you at home with conservation projects and local communities in ecologically and culturally sensitive areas worldwide.

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Founded in 2004 by director Mark Laxer, current vEcotours are primarily being produced in Uganda, the Democratic Republic of the Congo, and Indonesia to highlight the plight of the great apes in those countries, but as they grow they intend to tackle the challenge of conservation world wide. Ian films, presents and narrates all the content that is being brought to you on-screen on his travels and conservation work in these areas.

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Ian giving us a talk about his brilliant new project. It was such an honor to meet him; as a huge follower of his work I am very excited to work with him.

It’s innovative and fresh– allowing you to interact and take control of the content you want to see and find out in certain hot spots. Together with a team of volunteers (including myself), we are using our skills as editors, scriptwriter and social media associates to help Ian to be able to host these virtual eco tours and spread the message about the plight of the great apes.

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What we’re looking to do is have LIVE tours of these beautiful biodiversity hotspots of the world, where you can join Ian and a co-host via 2 virtual live streams and pan the virtual 360 world of the apes. With these panos (panoramas) you have the power to be able to zoom in/out during the tour, whilst having a team of wildlife experts guiding you. Interactive chat boxes allow you to ask questions with live feedback from Ian throughout the tour. You can take a look at some of the content (non-live tours) and where Chimanuka and his family live RIGHT NOW!

http://www.vecotourism.org/panos/prototours/kahuzi_stump/

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Of course, there’s nothing that can beat a real-life encounter with these magnificent great apes, but such virtual reality tours are a fantastic way to learn about the fascinating behaviour and life of an incredibly threatened species…the hope is it will inspire you to help protect the environment in which they live, take up a career in research or simply share your love for these gentle giants.

Time is running out for the largest Gorillas Species, as civil unrest continues to take its toll in the Democratic Republic of Congo (DRC). In the last 50 years, its range has decreased from 8,100 square miles to 4,600 square miles today…and less than 9000 individuals remain. Please do what you can for this remarkable species and donate/share if you can:

https://secure.gorillas.org/save-me?platform=hootsuite

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REMEMBER tonight on BBC Two (27th December at 9pm to 10pm) is the last episode of the beautiful “Gorilla Family and Me.” So much emotion and storytelling with the 25 strong family, led by the charismatic Chimanuka silverback male. Shout out to my roommate who was the assistant editor- Charis May!

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