Alex Jones is wildlife cinematographer, producer, presenter, editor and extreme adventurer, who has created his own remarkable blue-chip documentaries as well as work on a whole host of films, TV shows and adverts. His unique skills using the EPIC Red have not gone unnoticed and he has recently won a prestigious Panda Award at the Wildscreen Film Festival, as well as his footage being used in a major new BBC series. I got the chance to chat to him about where his enthusiasm and love for wildlife all started.
Growing up in California, he has always been passionate about wildlife- picking up snakes at age of 9 in his backyard, and has been filming ever since he can remember. It surprises me when he mentions that he really aspired to become an entomologist, having seen him as a full-on explorer and cameraman, it is seemingly difficult to imagine Alex sat in his room pinning down another Panagaeus cruxmajor to his collection rather than being armed with an SD card and another 6 hours’ worth of footage.
“Their world is so different; a blade of grass can look like a tree from their perspective.”
And yet this makes sense; when you begin to look at his work. He has carried this love for what many would consider their worst nightmare over to what he loves filming- macro. His latest fascinating clips of a jumping spider, award nominated Curious snail and Sand-crabs were shot in his custom made set and studio which he built with his colleagues. They’re looking to get some sequences on side-winders as well as a variety of other hard-to film species, or those whose lives are largely left untold.
“To get the best quality footage, you’ve got to be able to get the lens ontop of them and have control the elements such as light, wind- except the behaviour of course!
He tells me about the most varied things he gets up to on a day to day basis. Deliberately seeking out danger, nothing seems to phase The Adventurer– going into caves, old mine shafts inhabited by a myriad of snakes and bats. One particular place he went to, which was even too extreme for Alex, was a cave powdered with volcanic ash.
“When you enter into the caves, its very tight, you have to crawl on your stomach. The ceiling felt like flour.” He tells me he was hoping not to get caught out by a cave collapse…
The most dangerous encounter? Without question- Crocodiles. He was wrestling one which had caught him from under the water, he says it was an incredibly intense moment, particularly since it was 8ft crocodile Vs an 5ft 6 Alex. He describes the moment where he was in the water when it brought him down, his friend and fellow cameraman came to the rescue, but even he admits it was a close shave.
He loves all aspects of wildlife filmmaking. Everything he does currently is reflected by what he has seen with the enigmatic blue-chip series, such as Blue planet. In terms of presenters, he used to present more hands-on like his childhood hero Steve Irwin. However, the more inclusive and poignant reminisces of Attenborough have inspired him to take on a more “BBC” approached style of presenting to camera, although I still believe the acting lessons will slip out now and then when he is overcome with excitement by a dangerous snake- more Steve Backshall then!
What else does he get up to? He tells me he’s working all the time, editing, researching animals to film, scenery shots with friends. However when he does have the time, he enjoys hiking, extreme surfing, rock climbing, spelunking in Thailand, Africa, California. His seemingly limitless supply of energy emanates through to his camerawork. The EPIC Red that he praises highly, is easy to programme to his specific needs, looks beautiful, sharp, and a professional “work horse,” which can cope with extreme conditions- rain, sand.
“It’s the elements that you don’t see behind the scenes, that’s tough on any camera.”(He’s of filming sand dunes).
He offers us his top tips if you’re filming out in extreme conditions.
“Be smart about what you’re doing, think on your feet, depending on the situation. Deserts in California and in Montana have two very extreme temperatures throughout the day, you have to love it too at the same time because it will get to you if you don’t.”
He admires the one and only award-winning Doug Allan and marvels at his endurance in his specialized field of polar cinematography. Talking of awards, he was very nervous about Wildscreen- his incredibly epic and thrilling shots of the beach master in California, won in the youth and against all odds category. He got the amazing opportunity to meet Doug Allan, Emma Blackwell, Fergus Beeley and many more! Here are some photos of the exciting awards night:
A Panda award!
What the most technically challenging shoot? The most challenging to film he tells me is his award nominated elephant seals of California.
“Only shot in 4 days, the first 2 days it was raining, but it was incredibly hard. The 4th day he got most of the shots. But was worried that I couldn’t get it all. I was all very stressful, equipment was failing too, weather bad, and I was alone with no help from crew. Intense! But staying with them all day you figure out behaviour, and with some smart thinking and being fast with your actions- it become the norm.”
He also tells me that it was emotionally hard sometimes to witness the helplessness of the seal pups being smothered by the testosterone pumped and over-amorous males which will crush anything and anyone in their way.
He’s recently joined the brilliantly exciting Animals bytes TV. His latest episode features a Rattlesnake which was made a year ago which they went off to find, check it out here: https://www.youtube.com/watch?v=at9M0i25Al0
“They’re the 2nd biggest, cause more deaths that any other snake- its very aggressive. My favourites are side-winders. I found it in a cave (200ft).” Just the day to day itinerary of a cameraman!
Having already secured one award under his belt, Nevada is next with his curious snail nomination. (See it here:).
Hopefully there will be lots to come from the Adventurer on our screens, we wish him the best of luck in his career! If you didn’t hear the interview for my radio show, catch up here: